podcast

José Arroyo interviews Lawrence Napper on ‘Silent Cinema: Before the Pictures Got Small’

Link Posted on

DSC04050

The first of a series of interviews of books on cinema. The intention is to expand and disseminate our understanding of cinema and its diverse histories and various cultures by bringing attention to recently published books in the field in order to enhance understanding of and access to the knowledge the books provide. This first one is an interview with Lawrence Napper — author of ‘British Cinema and Middlebrow Culture in the Interwar Years’ (2009) and ‘The Great War in British PopularCinema of the 1920s: Before Journey’s End’ (2015) — on his contribution to Wallflower Press’ Short Cut series, an excellent introduction to silent cinema, ‘Silent Cinema: Before The Pictures Got Small,’ (2017).

You can listen to it here:

DSC04038.jpg

José Arroyo

Blade Runner 2049 – Second Screening – Eavesdropping at the Movies – Ep 11 – 11th October 2017

Link Posted on

 

 

We couldn’t stay away. And with a second viewing, time to percolate, and responses from friends informing us, Eavesdropping once again delves into Blade Runner 2049.

What to make of the film’s representation of women? How does the film use names? Why did Mike have a little weep at the end this time? Do gay women have cottages? Does the film function as a story about slavery? What about criticisms of its lack of diversity in casting?

Why do people think this film is dull? Is it the film’s fault? Television’s? Humanity’s? Why don’t we care to engage visually any more?

Most importantly, what do the bees mean?

Recorded on 10th October 2017.

 

José Arroyo and Michael Glass from Writing About Film

Blade Runner 2049 – Eavesdropping at the Movies – Ep 10 – 8th October 2017

Link Posted on Updated on

We discuss why Blade Runner 2049 is so moving and beautiful, how it develops and unfolds from the first one including relating gestures and costuming as well as characterisation and design. Lots of spoilers.

José Arroyo and Michael Glass from Writing About Film

Flatliners – Eavesdropping at the Movies – Ep 9 – 7th October 2017

Link Posted on

 

With a weary sigh, we get to Flatliners. Ellen Page, James Norton, Diego Luna and Kiersey Clemons expand their minds and run around shitting themselves in fear. Questions abound: Why did they call this Flatliners when the obviously correct title is Hot Doctors? Was Kiefer Sutherland wasted? Is it wise to be wasted while appearing in a film? In precisely how many millions of ways is the film inconsistent? Just how stupid and blind is its attitude towards the very real problems it presents? Does it make sense as a horror flick? Just how obsessed are Mike and Jose with the cast’s attractiveness? Who’s hotter, the ginger guy or the hot girl? All this and Catholic guilt too.

José Arroyo and Michael Glass of Writing About Film

IT – Eavesdropping at the Movies – Ep 6 – 22nd September 2017

Link Posted on

 

What is IT? Is IT any good? Is IT scary? How much of IT did Mike watch through his fingers? Why would he agree to see IT in LieMAX? Was he right about the bit with the sink? (Spoiler: He has googled it and discovered that he was wrong.)

Recorded on 17th September 2017.

José Arroyo and Michael Glass of Writing About Film

mother! – Eavesdropping at the Movies – Ep 5 – 18th September 2017

Link Posted on Updated on

mother

What is Darren Aronofsky’s latest fever dream all about? How is it allegorical? What does it mean?  How good is Jennifer Lawrence? Why we both loved it. Is the audience reaction fair and what might that mean?

Recorded on 17th September 2017.

José Arroyo and Michael Glass of Writing About Film

 

PS. You might be even more interested in this lively discussion between Aronofsky and William Friedkin:

 

Detroit – Eavesdropping at the Movies – Ep 4 – 3rd September 2017

Link Posted on Updated on

Why Detroit is the best film currently on release. Is John Boyega a star? Does Kathryn Bigelow get the respect she deserves? Is race the political unconscious of American cinema? Why hasn’t a great film on such a timely subject found an audience?

Recorded on 28th August 2017

Michael Glass of Writing About Film  and José Arroyo

American Made – Eavesdropping at the Movies – Ep 3 – 2017.09.01

Link Posted on

Is it possible for a film about drug smuggling, weapon dealing, CIA-sponsored militias and getting ludicrously rich to be in any way immoral? Tom Cruise helps destroy several Latin American governments and cultures, oblivious to everything except money and a sense of adventure. Do we empathise? Find out as we tolerate American Made so you don’t have to.

 

José Arroyo and Michael Glass of Writing About Film (In Very Long Sentences)

The Hitman’s Bodyguard – Eavesdropping at the Movies – Ep 2 – 23rd August 2017

Link Posted on Updated on

 

The second instalment of the Eavesdropping at the Movies podcast with Michael Glass of Writing About Film,  where we hope to offer the experience of eavesdropping on friends chatting informally about a movie after just watching it.

This week the focus is on The Hitman’s Bodyguard and the topics under discussion include: Can an action film that goes through Coventry be any good? Is it important that action scenes are funny? Is Gary Oldman a whore? All valuable questions. All answered in our chat about The Hitman’s Bodyguard. I think.

José Arroyo and Michael Glass.

Eavesdropping on Mike and José After a Movie

Link Posted on Updated on

mikeandjose3.jpgEpisode 1 (Girls Trip, Malcolm D. Lee, USA, 2017)

This is a trial episode of a possible podcast that Michael Glass of ‘Writing About Film’ and I are posting primarily to get feedback. It’s done as an mp4 so you can play it on your computer’s usual player, like a video. I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – but that I also hope is shared by at least some of you — to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what this podcast hopes to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation. One roughly transmuted into another format so that you may overhear. We know the design of the image is lousy; and that the transitions between snippets are roughly cut. But what do you think of the idea, the title, the format?  Feedback and suggestions most gratefully received.

 

José Arroyo

(also on behalf of Michael Glass)

GirlsTripTeaserPoster