Tag Archives: comic book

Eavesdropping at the Movies: 138 – Captain Marvel

 

It’s taken ten years but Marvel has finally branched out into films about heroes who aren’t white guys. Following last year’s Black PantherCaptain Marvel introduces Marvel’s first female protagonist, Carol Danvers, a young woman caught up in conflicts between worlds and the mystery of who she is.

José is enraptured by the film’s visual beauty, Mike by its cat. Its mid-90s setting is mined for tons of laughs, as is Samuel L. Jackson’s lively, witty performance. Neither of us is too convinced by Brie Larson, sadly, who lacks the charisma to truly sell her role, but the cast and storytelling that surround her more than compensate. Quite apart from the very obvious gender dynamics at play, other intelligent, interesting themes are brilliantly interwoven into the plot, giving the film real substance and emotional punch. It’s occasionally a little too transparently right-on, some moments of sisterhood rather unsubtle and even cringeworthy, but other scenes intended to inspire female empowerment truly soar.

It’s an intelligent, spectacular film that we hugely enjoyed, and definitely recommend.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies:130 – Glass

Concluding a trilogy two decades in the making, Glass brings together the characters of 2000’s Unbreakable and 2016’s Split in an unconventional superhero showdown. We both enjoyed it, though it’s a bit of a trifle, but it’s enjoyably oddball and features a particularly brilliant performance from James McAvoy. And we appreciate M. Night Shyamalan’s direction, staging and camerawork, which, while occasionally a little stilted and ‘filmmakery’, for want of a better word, is thoughtful and always strives to create interesting and meaningful imagery.

The film feels significantly affected by the Marvel Cinematic Universe’s influence on comic book movies and their public acceptance; there are things that Glass does, ways it behaves, that are difficult to imagine having made as much sense prior to that series. Indeed, this trilogy is a universe of sorts, with characters from different films being brought together in a shared world.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

Eavesdropping at the Movies: 122 – Aquaman

DC’s search for a cinematic tone continues to lurch between monochrome gravity and Technicolor frivolity, James Wan’s Aquaman firmly occupying the latter end of the spectrum. Although Mike has long been amused at how feeble is the concept of a superhero whose power is fish telepathy, the film has a good sense of humour about itself (even if some of the specific jokes are a little clunky) and hugely enjoyable freedom in its design, the giant seahorses a particular charm.

We discuss what’s to like and dislike about the film’s visual design and action, its message that violence is the least good solution to any problem, the welcome wisdom and calmness brought by Willem Dafoe and Dolph Lundgren (yes, really), and its adaptation of Arthurian legend and how it fits into a recent spate of films and television programmes fascinated with monarchy, bloodlines, divine rights and so on.

Jose is overall more reserved than Mike but still announces that he enjoyed himself, and the golden rule holds true: the key to happiness is low expectations.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies — 100 – Venom

Venom utterly charms the pants off us, its bizarre knockabout body horror surprising us with a great sense of humour and unexpected variations on the idea not so much Dr. Jekyll and Mr. Hyde as of masculinity at war with itself, inside and out.. From the trailer, Mike was worried about the broadness of Tom Hardy’s accent – actually, it’s tonally perfect as broadness is exactly what the film is going for in every respect, in the very best way.

Hardy is superb, giving his all to a role that demands physical dexterity and comic ability; the CGI bowls José over; the sense of Hardy’s body being shared by another physical entity, rather than being merged with it, is tactile and interesting. Mike’s also been watching the Sam Raimi Spider-Mantrilogy recently, in which Venom appears, and holds court on a trend in the villains he sees Venomas adhering to. And the dog is so funny.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film