Horror

Eavesdropping at the Movies 56 – A Quiet Place

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Thrilling to be in a cinema where you can hear a pin drop. The film sets up a brilliant premise. The world has been invaded by aliens who respond to sound. Once the aliens hear the sound, the living being who originated it will be killed in a manner of minutes. Thus, endless possibilities for generating suspense; and a platform for many experimentations with style and form, including giving actors the opportunity to convey emotion with their faces, gestures, postures; without dialogue.

We talk over its performances, its ending, the way it manipulates and moves characters to generate threatening situations, the intelligence of its editing in moving between storylines, the shortcuts it takes with its internal logic in order to keep the story moving, the theme of family and whether the film can be read as a metaphor for Trumps America. We also mull over a potential for a sequel and decry one plot decision in particular.

But fundamentally, we urge everyone to see it.

 

The podcast can be listened to in the player above or on iTunes.

We appreciate your feedback so do keep on sending it.

José Arroyo and Michael Glass of Writing About Film

 

Eavesdropping at the Movies 55 – Unsane

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A low-budget psychological thriller, Unsane is a less involving film than its subject matter and star deserve. Claire Foy is extraordinarily powerful as a paranoid prisoner of mental trauma inflicted on her by a stalker and bureaucratic malfeasance, distressed, knowing, sarcastic, resistant. The film fails her in other areas but is an intriguing experiment nonetheless. We find much to discuss, including its cinematography, relationship to termite art, Soderbergh’s recent efforts, potential audiences and whether the lighting of black characters in this film is inherently racist.

Recorded on 1st April 2018.

 

The podcast can be listened to in the player above or on iTunes.

We appreciate your feedback so do keep on sending it.

José Arroyo and Michael Glass of Writing About Film

 

Jigsaw – Eavesdropping at the Movies – Ep 16 – 31st October 2017

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Jigsaw’s back after a seven year absence, with new traps and twists and torture. One of us is very excited about this. The other has never seen a Saw film. Guess which one felt sadistically bludgeoned? What are the pleasures on offer? How do the films in the series connect? What is the basic structure. How good a Saw film is Jigsaw? A Trumpist film or merely Old Testament Religiosity?

Recorded on 30th October 2017.

 

José Arroyo and  Michael Glass of Writing About Film

IT – Eavesdropping at the Movies – Ep 6 – 22nd September 2017

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What is IT? Is IT any good? Is IT scary? How much of IT did Mike watch through his fingers? Why would he agree to see IT in LieMAX? Was he right about the bit with the sink? (Spoiler: He has googled it and discovered that he was wrong.)

Recorded on 17th September 2017.

José Arroyo and Michael Glass of Writing About Film

mother! – Eavesdropping at the Movies – Ep 5 – 18th September 2017

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What is Darren Aronofsky’s latest fever dream all about? How is it allegorical? What does it mean?  How good is Jennifer Lawrence? Why we both loved it. Is the audience reaction fair and what might that mean?

Recorded on 17th September 2017.

José Arroyo and Michael Glass of Writing About Film

 

PS. You might be even more interested in this lively discussion between Aronofsky and William Friedkin: