A film that offers a beautiful evocation of community, as Riz Ahmed’s drummer suddenly loses most of his hearing and joins a retreat for the deaf, Sound of Metal also feels regrettably, and unforgivably, dishonest in some of the ways it engineers its story. In this respect, we disagree over one of the film’s key scenes, but agree about what it goes on to depict in the final act. Despite the severe problems we have with the film, it has pleasures to offer, including an outstanding central performance from Ahmed, whose wide-eyed, puppy-dog expressions transparently convey fear, anger, worry and determination, sometimes all at once. For Ahmed alone, it’s worth seeing Sound of Metal.
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With José Arroyo of First Impressions and Michael Glass of Writing About Film.