Upon revisiting our podcast on the previous entry in the Harry Potter-adjacent Fantastic Beasts series, The Crimes of Grindelwald, we find that we could virtually have copied and pasted its content for our discussion of The Secrets of Dumbledore. It’s again less than the sum of its parts, a fantasy adventure with some charms, several good performances, but incoherent storytelling, and too little that convinces us to get invested in the characters’ lives and the fate of the world they seek to save.
The film begins with a powerful avowal of love between Jude Law (Dumblemore) and Mads Mikkelson (Grindewald), linking their lives together eternally and preventing one from acting against the other. It goes downhill fast. Famous as the film where Johnny Depp got replaced. Ezra Miller makes an impression.
In 2017, Justice League, DC’s answer to Marvel’s continuing Avengers crossovers, flopped. Director Zack Snyder had left the film several months before release, his role taken over by MCU regular Joss Whedon, and significant changes were made in an attempt to lighten the tone of what had so far been a rather bleak series. Immediately, talk erupted of a director’s cut – the so-called Snyder Cut – that would represent Snyder’s true vision, uncompromised by studio executives’ fears and directives. Initially no more than a meme responding to that film’s quality, it was given oxygen by Zack Snyder’s insistence that it did actually exist, and it now reaches us via online streaming in the age of Covid-19. There’s perhaps no other set of circumstances in which it would have been made real – on top of the original budget, the creation of this director’s cut cost some additional $70m – but what an opportunity to compare and contrast two versions of the same film.
At four hours in length, this is a version of Justice League that would never have seen a theatrical release, but the time it affords its characters to develop is welcome, and a huge improvement over the sketchy treatment some of them received in the original film – particularly Cyborg, played by Ray Fisher, who arguably becomes the central character in the Snyder Cut. We discuss and disagree on the decision to change the original aspect ratio of 1.78:1 to 1.33:1, which José loves but Mike considers a mistake, and look over a few key scenes and shots to explore the differences between Snyder’s and Whedon’s aesthetics.
And we discuss that new ending, additional scenes which help the Snyder Cut conceive of the overall story as epic, mythological fantasy, and more.
It’s a surprise to us both that we enjoyed Zack Snyder’s Justice League as much as we did, but there you have it. The four hours flew by and if this leads to the studio’s renewed interest in completing Snyder’s planned series, we’re up for it.
The podcast can be listened to in the player above or at this link.
The costumes are atrocious, the look busy and garish, few of the jokes land, Wonder Woman is reduced to mothering the boys: there’s little to love in Justice League. We, however, have a hoot pointing out its many, many faults. Join in the laughter.