It’s Eavesdropping’s first anniversary and we celebrate with a film Mike’s been looking forward to seeing for almost a decade. Alfred Hitchcock’s Dial M for Murder was released at the tail end of the short-lived Fifties 3D craze, and has rarely been seen in that format (even at the time). But it rolls around every so often and this week came to the Electric, so we jumped at the chance to see it.
A dialogue-heavy chamber piece, Dial M for Murder might not seem the obvious choice for the spectacle of 3D, but it’s for this reason that we find it interesting. José, who has seen it before in 3D, recalls his previous impressions of the importance of items – the keys, the handbag, the scissors – and how the stereoscopy relates to it. Mike, who wrote on 3D film at university and has defended it ever since, places Dial M for Murder in context, comparing it to both 3D of the time and today, suggesting how it was ahead of its time.
Away from the 3D, we find the film slight, a trifle, though enjoyable throughout and respectful of the audience – the film’s methodical nature is lovely. We find some of the performances disappointing, and one in particular delightful. We’re glad we saw it, even though José’s spectacles were broken.
José’s note on Dial M for Murder can be found here: https://notesonfilm1.com/2013/08/07/a-note-on-dial-m-for-murder/
Recorded on 23rd August 2018.
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With José Arroyo of First Impressions and Michael Glass of Writing About Film.
Guy Bolton, author of The Pictures, is the subject of our third ‘In Conversation With ….’ Podcast. The Pictures is a detective novel set in 1939, around MGM, during the making of The Wizard of Oz. It begins with two deaths: a young woman, Florence Lloyd, has been brutally murdered; and Herbert, Stanley, an MGM producer, married to MGM star Gale Goodwin, has hung himself.
Detective Jonathan Craine of the LAPD is called in ostensibly to ‘investigate’ but really to present whatever happened to the producer in the best light so that it doesn’t affect the box office of his wife’s new film. In doing so, he and his partner Patrick O’Neill begin to discover links between the murders that lead them to the mafia, Las Vegas, the corruption of the film unions, the availability of drugs in the studios, the uses of prostitution in Hollywood, how coverage in newspapers can be bought and the fine line dividing a studio ‘fixer’ from a hardened criminal.
It’s a tough, sexy, brilliantly textured whodunit that depicts a 1939 Hollywood in a rich and layered way, with characters as you like them in noir, and a plot that will keep you guessing. It’s been widely and excellently reviewed and we here get an opportunity to discuss it with its author: on the lure of pulp; the attractions of Hollywood as setting; what are the influences, both literary and filmic; what decisions were made as to structure and point-of-view; and when the next one is coming out. Enjoy.
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The Pictures is published by Oneworld and available in bookshops across the country and on kindle via Amazon