Tag Archives: Widescreen

Hou Hsiao Hsien 13: Contexts 4 – May 13, Day of Sorrows, Lin-Tuan Chiu (1965)

We once more thank the Taiwan Film and Audio-Visual Institute for the opportunity to see these marvellous copies of Lin Tuan-Chiu films. In the podcast we discuss the combination of genres in the film — melodrama, court-room drama, documentary, murder-mystery, musical. We discuss the acting in relation to revue theatre. We wonder if a scene from Hou’s Cute Girl finds its inspiration here….and much more.

The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

We refer to some images concretely: The Newspaper Headlines

The allusion to politics:

The possible inspiration for a similar moment in Hou Hsiao-hsien’s Cute Girl

The framings and compositions:

The countryside:

Listeners might also be interested in the following illustrative clips:

The melodramatic framings of the opening scene

revue acting:

Musical number – Love and threat:

Documentary Sequence:

The reveal:

Court-room flash-back:

Taiwanese Widescreen Process:

Other telling images (or sub-titles) from the film:

The Taiwan Film & Audio-visual Institute’s You Tube page may be found here:

https://www.youtube.com/channel/UCv9cNssVud_2AtBVzykUieg

and the next films its made available for the next few days are:

The Bride Who Has Returned From Hell, 1965

Foolish Bride, Naive Bridegroom (1967)

and

Dangerous Youth (1969)

all by Hsin Chi, so that’s what we will be exploring in the next few podcasts.

Richard has also provided the following links, adding, ‘

nothing particular to add to these but interesting reviews’: https://www.easternkicks.com/reviews/may-13th-night-of-sorrow

 

José Arroyo