Mike hadn’t seen Sidney Lumet’s classic version of Murder on the Orient Express so we saw it together and basically compare the two but keep the focus on the original. We discuss which performances we prefer in each version, what we make of the differences in style and tone between the film, which film was better directed and who was the better Poirot? We also ask whether the action sequences in the new film were quite necessary. We don’t agree but Mike mounts a good defence.
José Arroyo and Michael Glass of Writing About Film
Mike and I discuss the form of these Agatha Christie film adaptations, how Agatha Christies’s types in the novels here intersect with star personaes; we disagree about Kenneth Branagh as a film star though agree on him as an actor and director; we praise Michele Pfeiffer above all but also Johnny Depp, Lucy Boynton, Manuel Garcia-Rulfo, Derek Jacobi). Has Branagh beefed up his part at the expense of the other stars? We disagree. Is the film a successful whodunnit? Are the action scenes necessary? Is the film suspenseful? Is it too CGI? Does the end bring out moral ambiguity? We did not discuss how collective revenge in the absence of justice connects to modern times though we should have. We did agree that it’s a film we’d happily watch again if shown on ITV on a Sunday afternoon.
Jose Arroyo and José Arroyo and Michael Glass of Writing About Film