Guy Bolton, author of The Pictures, is the subject of our third ‘In Conversation With ….’ Podcast. The Pictures is a detective novel set in 1939, around MGM, during the making of The Wizard of Oz. It begins with two deaths: a young woman, Florence Lloyd, has been brutally murdered; and Herbert, Stanley, an MGM producer, married to MGM star Gale Goodwin, has hung himself.
Detective Jonathan Craine of the LAPD is called in ostensibly to ‘investigate’ but really to present whatever happened to the producer in the best light so that it doesn’t affect the box office of his wife’s new film. In doing so, he and his partner Patrick O’Neill begin to discover links between the murders that lead them to the mafia, Las Vegas, the corruption of the film unions, the availability of drugs in the studios, the uses of prostitution in Hollywood, how coverage in newspapers can be bought and the fine line dividing a studio ‘fixer’ from a hardened criminal.
It’s a tough, sexy, brilliantly textured whodunit that depicts a 1939 Hollywood in a rich and layered way, with characters as you like them in noir, and a plot that will keep you guessing. It’s been widely and excellently reviewed and we here get an opportunity to discuss it with its author: on the lure of pulp; the attractions of Hollywood as setting; what are the influences, both literary and filmic; what decisions were made as to structure and point-of-view; and when the next one is coming out. Enjoy.
The podcast can be listened above or by clicking here
The Pictures is published by Oneworld and available in bookshops across the country and on kindle via Amazon
The second of a series of conversations about books on cinema with their authors. The intention is to expand and disseminate our understanding of cinema and its diverse histories and various cultures by bringing attention to recently published books in the field in order to enhance understanding of and access to the knowledge the books provide.
This one is with Pamela Hutchinson, founder of the great Silent London website and a regular correspondent for Sight and Sound, The Guardian and many other outlets on various aspect of Silent Cinema. The occasion for the chat is the publication of her wonderful new book on G.W. Pabst’s Pandora’s Box, a BFI Film Classic, so recent that it’s literally hot off the press, and as witty as it is informative.
What you hear in the background is the bubbles in a glass of champagne and one can only hope that our chat is as fizzy. The conversation ranges from the film’s aesthetic achievements to its continued influence, the appeal of Louise Brooks, what Marlene Dietrich might have done with the part and what the film has to tell us on sexual desire, the options open to women and the prevalence of rape culture then and now. Pandora’s Box seems more pertinent than ever and just as powerful and hypnotic as it always was. Pamela Hutchinson’s book is not just a beautifully written introduction to the film but one which provides new information and enhances our understanding in various ways and does so with great charm and wit.
I hope that the quality of the chat compensates for that of the editing and recording. It can be accessed above or directly on this link,