Tag Archives: Martin Stollery

Thinking Aloud About Film on Hugo Fregonese from Ritrovato 2022

Thinking Aloud About Film explores the work of Hugo Fregonese, a director who worked mainly in Hollywood B-movies or international genre films, a choice of films excellently curated and programmed by Ehsan Khoshbacht, and a major discovery at this year’s Cinema Ritrovato. Films discussed include APENAS UN DELINCUENTE, BLOWING WILD, THE RAID, APACHE DRUMS, THE MAN IN THE ATTIC, BLACK TUESDAY…and others. The video includes images, trailers and clips from some of the films to illustrate the discussion.

Films discussed include:

The video, including images, trailers and clips may be seen here:

José has written on:

Savage Pampas

Apache Drums

and Apenas un Delincuente, and if you are interested in reading more, just click on the link:

The video may also be listened to as a podcast (with the sound of all film clips removed) here below:

The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Martin Stollery has written very interestingly on the British Prisoner of War Film, with (brief) reference to Seven Thunders, in a way that relates it to Adorno and Auschwitz here: The Hideous Difficulty of Recreating Nazism at War escaping from Europe in The Wooden Horse 1950 and the British Prisoner of War Film

José Arroyo

 

In Conversation with Martin Stollery on The Emigrant — The Youssef Chahine Podcast No. 14a

Martin Stollery is the author of a monograph on Youssef Chahine’s The Emigrant (see below), the most sustained analysis of any one Youssef Chahine film I’ve been able to find in English. The film is available to see on Netflix and seems more pertinent and resonant than ever. In the podcast above Martin and I discuss the film itself; how it allegorises; the meaning and uses of water in Chahine’s films; the famous court case that is part of the context of the film’s release; and the tension between the film’s relationship to Biblical epics as well as Youssef Chahine’s more personal style of filmmaking. An illuminating discussion of texts, contexts and modes of analysis that ends with a renewed appreciation of Chahine’s achievements as a director.

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In conversation, Martin mentioned that his work on Chahine was sparked by a series of Arab films programmed by Channel Four in the late 80s/ early 90s. I asked Sheldon Hall to check up on this for me, and he generously provided a pdf of all the films screened from 88-91, which you Chahine-films-1988-91. Sheldon notes that ‘For the record, the Arab ‘season’ seems to have been only three films: ALYAM ALYAM, CAIRO CENTRAL STATION (sic) and REED DOLLS. CCS was repeated in the Cinema of Three Continents series on 05/08/1990. ALEXANDRIA ENCORE was shown in the same series on 17/11/1991. The TVT review is by David Quinlan, the RT one by Derek Winnert. First showing of CCS was 08/02/1988′.

Martin has very generously uploaded his book so it can be freely accessed on Academia.edu here:  martin stollery – Academia.edu . For those of you who might not have access to the site, you can access a copy of it here:Al_Muhajir_LEmigre_The_Emigrant_YoussefAl_Muhajir_LEmigre_The_Emigrant_Youssef.

The Youssef Chahine Podcast has never been so lucky before: you can now see the film on Netflix, listen to the discussion above, and then follow up the author’s discussion by reading the book on the film.

Martin has also very generously provided this link to Chahine’s editor:  ABDEL-SALAM, RACHIDA – Edited By. 

….and

The French legal scholar Nathalie Bernard-Maugiron has published a nice piece on the trial: Bernard-Maugiron N. “Legal Pluralism and the Closure of the Legal Field: the al-Muhajir Case”. In B. Dupret, M. Berger et L. al-Zwaini (eds.), Legal Pluralism in the Arab World, Kluwer Law International, La Haye-Londres-Boston, 1999, 173-189.
The French version can be accessed here: LEmigrYoussefChahine

 

Below is the shot mentioned by Martin in the podcast from Cairo as Told by Chahine  – about fourteen minutes into the film – ‘quotidian spirituality and the sensuality of cinema combined in an inclusive, utopian image of what Chahine wants Egyptian culture to be’.

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This is the longest trailer Martin’s been able to find for the Marianne Khoury film:

I include the gif I made to advertise this podcast

martin

….as well as the trailer, merely because I had fun making them and they do give a flavour of the film:

 

José Arroyo