Tag Archives: male friendship

Eavesdropping at the Movies: 375 – The Banshees of Inisherin

Listen on the players above, Apple PodcastsAudible, Google Podcasts, or Spotify.

Playwright and filmmaker Martin McDonagh, best known in cinema for his breakthrough comedy-drama In Bruges and, most recently, the critical and financial success of Three Billboards Outside Ebbing, Missouri, on which we podcasted twice, reunites with the stars of the former for an exploration of a male friendship, its dissolution, and the subsequent fallout.

The Banshees of Inisherin offers something of a chamber play: it might not be set in a single room, but the titular island of Inisherin is isolated, barely populated, and promises little by way of escape or a future. Brendan Gleeson’s Colm begins to feel this keenly, and abruptly declares his hitherto long friendship with Colin Farrell’s Pádraic over, intending to devote his life to his music. We discuss how depression might play into his actions, the role of the island in inhibiting ambition, the difficulty an intelligent actor has in playing dumb, the balance of comedy with drama in comparison with McDonagh’s other films, the peculiar masculinity of the way the breakup plays out, how the story might be seen as a modern myth, and how convincing the sense of place is.

There’s a lot to admire about The Banshees of Inisherin, which is arguably McDonagh’s best film, and (equally arguably) his least flawed – which sounds like damning with faint praise for a filmmaker whose work is typically interesting and novel, admittedly, but those flaws have sometimes cast large shadows over otherwise wonderful work (looking at you, Three Billboards). Here, such issues are easier to accept, and it’s consequently easier to enjoy the film’s achievements. In short – see The Banshees of Inisherin.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

José Arroyo in Conversation with Ilaria Puliti

Ilaria Puliti holds an MA (with distinction) in Film and Television Studies (University of Warwick), an MA (with distinction) in Teaching Italian to Foreigners (University of Urbino, IT), an MA in Intercultural Business Communication (University of Urbino) and a BA in Asian Languages and Cultures (University of Rome ‘La Sapienza’). She is currently researching Rural Modernities: the Politics and Aesthetics of Extra-Urban Experiences in Italian Cinema.

What follows is an extended conversation with Ilaria  on Luca (Enrico Casarosa), focussing on how it lends itself to readings of queerness and of migration, and also relating the film’s world to postwar Italian culture and society. You can listen to it below:

…or watch/listen to us in what is my very first vodcast below:

 

José Arroyo