Tag Archives: Vanessa Kirby

Eavesdropping at the Movies: 162 – Fast & Furious Presents: Hobbs & Shaw

Fast & Furious Presents: Hobbs & Shaw. If there’s a clunkier title out there, we’d like to see it. The first standalone film in the Fast & Furious series, and the first Mike’s seen at all, while José gave up some years ago, after seeing the first two. But José liked the trailer, and coerced Mike into accompanying him, which means that Mike now gets to force José to do something he doesn’t want to one day.

But, with expectations at an all-time low, Mike can confirm that he, in his words, “did not hate it”. In fact, despite it being obvious trash, with an entire family of awful, lazy jokes – the extended metaphors and puerile insults that The Rock and Jason Statham trade are comedy sinkholes – there’s quite a lot that charms us here. While Mike argues for the creativity and execution of the film’s action, José expounds upon his fondness for its stars, on the one hand through the humour and enthusiasm of The Rock, who Mike (who writes these descriptions) refuses to call Dwayne Johnson; on the other, Statham’s working class charm, which sets him apart from any other English star you’d care to name, all conspicuous products of privileged backgrounds and public schools, and none of whom can claim his level of box office power.

The film travels from one character’s home to another, beginning in London and moving to Samoa, leading us to discuss the film’s star vehicle nature – its stars are two of its producers, and indeed, there’s much in it with regards to their images that is closely controlled and orchestrated, Mike noting in particular the manner in which Hobbs, The Rock’s character, annoyingly laughs off Shaw’s insults, as if to say, “I’m The Rock, I’m very likeable and can take jokes”. But the move to Samoa in particular is one we enjoy, especially Hobbs’ slipper-wielding, affectionate mother, and the way his family and friends act as a unit and support him despite his estrangement from them.

Though we happily expound upon the things we enjoyed about the film, which are several, it is far, far from valuable or unmissable. Mike notes the enthusiastic response from the audience we saw it with, a response that rendered him emotionally bleak at sharing a room with them. Hobbs & Shaw is very well-made, expensively-produced trash, and José, for one, wishes we’d all venerate trash a little less.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies 77 – Mission: Impossible – Fallout

 

mission impossible

A mega bumper double podcast today, as we see Mission: Impossible – Fallout twice and incorporate both discussions into one episode. Long story short, we had tons of fun both times and you should see it.

We both adore the visual storytelling and the elegance of the action. We fawn over gripping sequences which evoke silent cinema. We discuss in depth the idea of Ethan Hunt as a moral character, something that the film places front and centre throughout, giving him choices to make and emphasising the protection of innocents and self-sacrifice. José doesn’t quite buy it but Mike does his best to talk him round.

Neither of us is quite sold on the concept of the villain – he’s not enough of an idealist – but Cavill’s performance unquestionably elevates him and he’s a constant delight to watch. To José, he’s the new Errol Flynn. Mike focuses on two implausible scenes to compare and contrast, exploring why he believed in one but not the other. José describes how the action scenes develop like good jokes, with ideas building on top of each other in logical ways. And we go off on a tangent about Idris Elba for some reason.

Recorded on 29th and 31st July 2018.

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.