Tag Archives: The Rock

Eavesdropping at the Movies: 162 – Fast & Furious Presents: Hobbs & Shaw

Fast & Furious Presents: Hobbs & Shaw. If there’s a clunkier title out there, we’d like to see it. The first standalone film in the Fast & Furious series, and the first Mike’s seen at all, while José gave up some years ago, after seeing the first two. But José liked the trailer, and coerced Mike into accompanying him, which means that Mike now gets to force José to do something he doesn’t want to one day.

But, with expectations at an all-time low, Mike can confirm that he, in his words, “did not hate it”. In fact, despite it being obvious trash, with an entire family of awful, lazy jokes – the extended metaphors and puerile insults that The Rock and Jason Statham trade are comedy sinkholes – there’s quite a lot that charms us here. While Mike argues for the creativity and execution of the film’s action, José expounds upon his fondness for its stars, on the one hand through the humour and enthusiasm of The Rock, who Mike (who writes these descriptions) refuses to call Dwayne Johnson; on the other, Statham’s working class charm, which sets him apart from any other English star you’d care to name, all conspicuous products of privileged backgrounds and public schools, and none of whom can claim his level of box office power.

The film travels from one character’s home to another, beginning in London and moving to Samoa, leading us to discuss the film’s star vehicle nature – its stars are two of its producers, and indeed, there’s much in it with regards to their images that is closely controlled and orchestrated, Mike noting in particular the manner in which Hobbs, The Rock’s character, annoyingly laughs off Shaw’s insults, as if to say, “I’m The Rock, I’m very likeable and can take jokes”. But the move to Samoa in particular is one we enjoy, especially Hobbs’ slipper-wielding, affectionate mother, and the way his family and friends act as a unit and support him despite his estrangement from them.

Though we happily expound upon the things we enjoyed about the film, which are several, it is far, far from valuable or unmissable. Mike notes the enthusiastic response from the audience we saw it with, a response that rendered him emotionally bleak at sharing a room with them. Hobbs & Shaw is very well-made, expensively-produced trash, and José, for one, wishes we’d all venerate trash a little less.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies: 140 – Fighting with My Family

A young girl from a tight-knit family in Norwich gets a shot at her dream, joining the WWE, the glamorous home of professional wrestling. Parental pride, sibling rivalry, and a lot of hard work ensues, as do great performances generating a lot of laughs. We’re not that keen on some of the clichés – very little happens that you wouldn’t expect, and some of the scenes take a long time to get there – but we like the male-female rivalry, the way Vince Vaughn and Nick Frost light up the screen, and of course, the fact that a big promotional corporate movie for Americans starts off in a tiny living room in Norwich.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

Eavesdropping at the Movies 74 – Skyscraper

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The Rock is the action star of the moment and despite Skyscraper‘s lacklustre title, we enjoy his latest vehicle a lot. It’s mechanical, predictable, corporate, obvious, and not even shot and edited that well, but we don’t really care. It features a gem of a setting, a great central performance from an enormously likeable star, depicts disability in a remarkably sensitive way, generates decent threat and tension despite obvious flaws in how it does so, is wholesome as hell, and Mike wants The Rock to be his dad.

 

The podcast can be listened to in the player above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

 

Eavesdropping at the Movies 34 – Jumanji – Welcome To The Jungle

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Boy oh boy, there’s a lot to talk about, and the word of the day is denial. Specifically, Mike’s unspoken, subcutaneous, existential denial that 1995’s Jumanji is crucially meaningful to him, because how else can you explain the tension in the air as he grapples with the simple question, “Do you recommend the new Jumanji?” Ironic, really. The new Jumanji depicts characters who are forced to confront harsh truths about themselves, and in doing so forces Mike to confront the fact that he can talk about Jumanji for an hour with very little prompting.

And that new Jumanji provides a surprising amount of food for thought. We discuss how the film uses and satirises videogames, how much it made us laugh, the Jonas Brothers, Mike being a sucker for a happy ending as usual and Jose rolling his eyes, the stereotypes from which the central characters are built, how the film has its sexist cake and eats it, the ways the stars play off each other and suit their roles, aspects of performance, the muddled nature of the world and fundamental change in the characters’ relationship to it, how much harder it is to play videogames than it is to watch films, moviegoers’ over-investment in films from decades past, and last year’s Power Rangers movie.

And it’s a name-heavy edition of the podcast, with Jose getting names wrong left, right, and centre, and a final, authoritative correction of our pronunciation of Jia Zhangke’s name. (Thanks to Sam and Jessy Stafford for their contributions.)

Recorded on 16th January 2018.

 

he podcast can be listened to in the player above or at this link

You can download it from i-tunes here.

We also now have a dedicated website.

 

José Arroyo and  Michael Glass of Writing About Film