I loved looking at it. I loved the action. I loved the world it created. I loved Laura Dern and Benicio del Toro in it. Adam Driver is filmed as a Byronic hero, anguishingly romantic and at his sexiest. It’s my favourite film in the series, including Star Wars V — The Empire Strikes Back (1980). Mike felt differently. Matt Moore, also a bit lukewarmish about the film as a whole, joins us for this discussion and points to how the film focusses on female characters and interestingly alters the focus of the series.
We discuss how the film represents a shift from an aristocratic focus on blood and destiny to a more democratic purview on social change everyone, of whatever class, race or ethnicity can engage in. Mike came out of the film gleefully playing with a light-sabre only to sit down and slash through what he saw as the film’s weaker points, though he also points out how he believes Rian Johnson is the right director for the film and how, in spite of its faults, it truly does feel like a Star Wars film. Lots of spoilers.
The podcast can be listened to in the player above or at this link
Matt Moore, José Arroyo and Michael Glass of Writing About Film
Recorded on 17th December 2017.
Visually disappointing but narratively enthralling film about a Looper, an executioner who kills people from the future in the present. Time travel doesn’t exist in the present but it does in the future, thus people from the future get shipped back to the film’s present, the looper shoots them as they appear, disposes of the body and gets paid. No one is looking for the bodies in the present and nobody can find them in the future. But who is disposing of these bodies and why? That’s what the rest of the story tries to tell in this dystopian futuristic thriller in which one can detect elements of The Omen (Richard Donner, USA, 1976) and The Fury (Brian de Palman, USA, 1978). The story lacks tension and feels a bit long but it does fascinate. The drugs, the want, the sense of a failed state with no law and order, with hungry people rummaging the countryside and those prairies full of rotting fields are a subtle critique of America now and, like many contemporary films, Looper deals with current anxieties by depicting, denouncing and somewhat resolving the most hateful aspects of this new Depression we’re living in, albeit tangentially. Joseph Gordon-Levitt does a subtle imitation of a young Bruce Willis, it’s mostly the nose, but with a few mannerisms thrown in; then he shows what a truly brilliant actor he is because he can let go of the disguise; it’s not straightforward imitation. Emily Blunt disappoints; sadly, because she’s so sympathetic one wants her to be good. Looper is intelligent and enjoyable sci-fi thriller that offers well-executed action and also leaves audiences with an interesting set of ideas to think about and discuss.