There’s an unwelcome element of particularly American and ill-fitting barbarism in Glass Onion: A Knives Out Mystery, a film that we hoped would be cleverer and more charming than it is. It’s also more of a straightforward thriller than a whodunnit, with one particular alteration to the murder mystery formula meaning that so much is kept from the audience that it stops being fun to play along. There’s still enough here to enjoy, but we’d like the third film to be more like the first, please.
After eighteen years away and vast changes in the blockbuster landscape in which it once broke incredible new ground, the Matrix series is back with a fourth film, The Matrix Resurrections. Keanu Reeves’ Neo is once again plugged into the Matrix as Thomas Anderson, but having trouble separating reality from dreams of events that happened twenty years ago… if dreams are what they are.
We discuss Resurrections‘ endless self-reflexivity, how it uses motifs and themes of the previous films, updating them where necessary and bringing more out of them (Mike is glad of the much improved use of mirrors). We also consider the film’s inclusivity, which is key to the Wachowskis’ work, and an uncomplicated joy here – it’s not difficult for people from a range of ethnic backgrounds and situated in different places along sexual and gender spectra to coexist in a blockbuster with no particular importance placed upon their identities, as Resurrections proves. You just have to want to do it, and the world that results is beautiful. And, at heart, it’s a middle-aged romance – for which José swoons!
Resurrections isn’t without its issues, and we consider those too – Mike asks whether the sense of wonder associated with the special effects of the original films is simply gone forever in a world in which literally anything can be done, and is, with all-powerful CGI, and we agree that the action is a Bourne-inflected disappointment, especially so in a series that itself spawned so many imitators of its own action scenes two decades ago.
But seen in its entirety, The Matrix Resurrections is an imaginative and interesting continuation of the story begun twenty years ago, and a holistic triumph of well-intentioned, positive and effortless representation. Whoever thought we’d get a fourth Matrix? And that it would be this different, and this good?