Alex Garland’s curious sci-fi adventure comes to UK cinemas – for one single evening. A disappointing theatrical release in the US made Paramount fear that the film wouldn’t make money elsewhere and thus sold it to Netflix, foregoing a theatrical release in most territories outside North America. But we waited for the special event to see it properly. And it was worth it, its stunning visual design singing on the big screen.
But what did we make of the rest of it? Has it stayed with us? Does it cohere? What would we have liked to have seen more of, what surprised us, what did it do well, how do we evaluate its representational strategies? No matter what we make of the details, it’s certainly deserving of a second look, and now we can be grateful rather than rueful that Netflix gives us that opportunity.
Also, Mike bangs on for a bit about Ex Machina, Life, Anomalisa, and The Beach.
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José Arroyo and Michael Glass of Writing About Film.