Originally published as:
Originally Published in Sight and Sound; London Vol. 8, Iss. 2, (Feb 1, 1998): 16.
A tweeny sci-fi based on a manga, Alita: Battle Angel tells the story of a young cyborg found on a scrapheap and given a new lease of life by a kindly doctor. She doesn’t remember who is she or where she came from, but takes to the dystopian world around her, finding excitement and energy in it, quickly realising an aptitude for combat and inclination to explore, and developing a relationship with a young man who seeks escape to a floating city that promises a better life. Oh, and she’s completely CGI in a live-action world.
Neither of us is too enthusiastic about the film, though José is far less interested in it than Mike, who finds things worth praising, particularly how Alita’s attitude to her body can be read in terms of transgender experiences. But the world-building is weak, relying on simple tropes, and Mike decries the sequel set up, convinced that the story it’s likely to tell could and should have been a part of this film. We vaguely agree that the action is enjoyable, José holding the reservation that he felt no connection to the characters, and Mike picks up on a tonal imbalance, suggesting that a film so clearly aimed at tweens should be less comfortable with swearing (something he also notes about Marvel, though to a lesser extent).
Mike is at pains to point out that despite acknowledging flaw after flaw, he had a good time. José has no time for such nuance, finding almost nothing in it he liked.
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