Edward Yang depicts a gaze on a male body that would not become prevalent in American Cinema until at least a decade later, one originating in female desire. The re-edit is from his episode in the omnibus film, In Our Time (1982)
José Arroyo
Edward Yang depicts a gaze on a male body that would not become prevalent in American Cinema until at least a decade later, one originating in female desire. The re-edit is from his episode in the omnibus film, In Our Time (1982)
José Arroyo