Tag Archives: Ewan McGregor

POFCRIT PODCAST 2024: Dylan Day on Trainspotting (Danny Boyle, 1996)

Adapted from the 1993 novel by Irvine Welsh, Danny Boyle’s Trainspotting is as whimsical as it is putrid. One of the most iconic and provocative films of the 1990s, it serves to examine the life of heroin addict Mark Renton and his addict friends as they endlessly search for the next hit. With an unrivalled energy and an unforgettable soundtrack, we seek to dig deeper into this film’s messages and influences of the film, its context within the “Britpop” movement, its allusions to Thatcher’s Britian, its representations of addiction beyond heroin and so on. We take a look at how effective the audio-visual style of Trainspotting is at conveying the visceral experience of drug addiction and how it is unique in its representation of addiction. Join us as we talk about all this and more here:

 

.

Dylan Day

Eavesdropping at the Movies: 211 – Birds of Prey

Listen on the players above, on Apple Podcasts, or on Spotify.

Trying to build a portrait of patriarchal power and subjugation that shapes the lives of five women, Birds of Prey takes a solid enough foundation and executes it abysmally, lacking visual style, coherent storytelling, and really any imagination. It’s the worst time José’s endured at the cinema in a year; Mike heroically offers a couple of examples of moments he enjoyed – the flying sandwich – but there’s no rescuing these damsels in distress.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Jack the Giant Slayer

I noticed that Jack the Giant Slayer was still playing and finally went to see it because it’s directed by the man who made The Usual Suspects. I should have remembered Bryan Singer is also responsible for Superman ReturnsImage. The film is bloated, charmless and dull. Ian McShane and Ewan McGregor twinkle with decreasing success as the film proceeds; and I’m simply beginning to hate the sight of Stanley Tucci; I suspect the reason he keeps getting cast in so many gay roles is because an air of effetely disdainful superiority, all he currently seems to offer as an actor, is all that casting directors expect an actor to exude in such roles.

 

José Arroyo