Tag Archives: POFCRIT PODCAST

POFCRIT PODCAST 2024: Dylan Day on Trainspotting (Danny Boyle, 1996)

Adapted from the 1993 novel by Irvine Welsh, Danny Boyle’s Trainspotting is as whimsical as it is putrid. One of the most iconic and provocative films of the 1990s, it serves to examine the life of heroin addict Mark Renton and his addict friends as they endlessly search for the next hit. With an unrivalled energy and an unforgettable soundtrack, we seek to dig deeper into this film’s messages and influences of the film, its context within the “Britpop” movement, its allusions to Thatcher’s Britian, its representations of addiction beyond heroin and so on. We take a look at how effective the audio-visual style of Trainspotting is at conveying the visceral experience of drug addiction and how it is unique in its representation of addiction. Join us as we talk about all this and more here:

 

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Dylan Day

POFCRIT PODCAST 2024: EVA DE MATOS ON BEND IT LIKE BECKHAM (GURINDER CHADHA, 2002)

The podcast explores how Bend it Like Beckham humorously and poignantly explores themes of identity, tradition, gender, sexuality, multiculturalism and Britishness.
Bend It Like Beckham follows Jess, a British Indian teenager who dreams of playing football despite her family’s traditional expectations. Set in a diasporic area of Asian immigrants and 2nd generation children the podcast discusses the associated inter-generational themes that permeate the film. The podcast also discusses the film’s specificity to 2003 and how the political climate may have influenced the film’s representation of multiculturalism.

The Podcast May be listened to here:

The podcast may also be listened to on: Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Eva de Matos

POFCRIT PODCAST 2024: Rowan Abbott on EO (Jerzy Skolimowski, 2022)

In this podcast, we talk about the 2022 Jerzy Skolimowski film, EO. The film is a sweeping picaresque narrative following the tumultuous life of a former circus donkey named EO, who is set free into rural Poland, a place that can’t seem to decide what purpose a donkey still has for humans. This wholly unique film is a landmark in animal representation on screen, being one of the most successful fiction films to feature an animal protagonist that isn’t anthropomorphized. We talk about the implications of this form of animal representation, and how the film achieves its goal of putting us in the shoes – or hooves – of a donkey.

The podcast may be listened to below:

The podcast may also be listened to on: Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

 

Rowan Abbott