Our third podcast on Youssef Chahine films, this one on Cairo Station, a combination of Dickensian melodrama, Marxist analysis, neorealist aspirations, film noir techniques, and with a contemporary relevance in its Incel-on-a-rampage theme. A brilliant work, probably the best we’ve seen so far (though those with a penchant for romance might prefer The Blazing Sun or Dark Waters). The podcast can be listened to here:
In the past few podcasts we´ve been noting how wrong wikipedia is in its description of the films so far, and how it is evident from so many of the reviews that many reviewers haven´t seen the films well enough to describe them accurately.Richard even refers us to the BFI.An exception to this pattern is this brief description of the film in the Ritrovato catalogue.
These are excerpts from the film that are described or referred to in the podcast: we. talk about the sensuality in the film and how shocking that must have been in its time
We talk about the conflict between modernity and tradition in relation to this excerpt featuring Mike and His Skyrockets, who have their own website but who interestingly don´t mention their appearance in this film. There is even an update from Mike himself.And it turns out that one of the Skyrockets, Asaad Kelada became a director in Hollywood with extensive creditsin television.
We talk about the film noir elements in a film that has often been described as neorealist and of the extraordinary conceptualisation of shots and use of depth of field, which can be seen in this excerpt-
Likewise the images below are illustrations of some of the aspects discussed in the podcast, the compositions, the themes of sexual obsession, labour organising, the compositions, the way the frame is peopled, etc.:
Lastly, a description of Chahine and his career from the Ritrovato catalogue:
and lastly Mark Cousins also makes for very interesting reading on Cairo Station in his The Story of Film book