Richard Layne returns to discuss Youssef Chahine’s fascinating musical in the light of Tara Shehata’s great podcast on the film last week. We discuss the film’s achievements as a musical, the catchiness of the music, the appeal of Hind Rustum and Shadia, the woodenness of Farid El-Atrash, and the influence of the screwball, particularly Preston Sturges’ The Palm Beach Story (1942). The podcast can be listened to below:
In the podcast, Richard discusses how C’es toi mon amour is the film that immediately precedes Cairo Station and Jamila the Algerian, and how it is worth comparing the two musical numbers set on a train in Cairo Station and in C’es toi mon amour in the light of themes of modernity, tradition, progress and personal freedom. You can see the clips below:
Hind Rostom and Farid al-Atrash in C’est toi mon amour:
Farid Al-Atrash and Shadia Yassmin:
Opening number of Silence, on tourne!:
Cinematographer Pierre Dupouey on filming with Chahine:
In response to a comment on the podcast, Saudi filmmaker Yaser Hammad, who featured in our of our recent podcasts, notes that: ‘That also happened in “An Egyptian Story” the AD on set in the first scene is Youssry Nassrallah. Who also became a director and Chahine produced his first films which are on Netflix as well. He had a number of ADs who later on became great directors. like Dawood Abdelsayed, Redwan Elkashif, Khaled Youssef and many more’.