Brad Stevens, ‘La notte’: ‘Far from being concealed, everything to which (Antonioni) wishes to draw our attention is present on the surfaces’. Here are eleven stills from the film, in chronological order, on which to test that argument:
José Arroyo
Brad Stevens, ‘La notte’: ‘Far from being concealed, everything to which (Antonioni) wishes to draw our attention is present on the surfaces’. Here are eleven stills from the film, in chronological order, on which to test that argument:
José Arroyo
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