King Arthur: Legend of the Sword (Guy Ritchie, 2017)

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King Arthur: Legend of the Sword is typical  Guy Ritchie, all the Cockney crim faux-mateyness — even in Camelot! — with that amped up camera movement that doesn’t quite let the audience see, and the narrative cheats — the seeing and the re-seeing –through characters’ re-telling the story. The narrative this time encased in a by-the-book Oedipal structure. And yet I found it great fun.

I like all the macho schtik and the fast pace and the cheekyness. Plus it’s a good looking cast, which always helps. Charlie Hunnam’s never been more appealing on a big screen and it’s got Eric Bana, Jude Law and a host of excellent Brit actors relishing their parts. The film looked darker than I would have liked. But some of the fantasy/magical images were very striking (if edging on sexist — the octopus/snake witches!).

I also loved the film’s picturing of  Londinium, which  looks a grand riverside ruin with one of those busy bridges with shops and brothels and so on; full of Roman architecture, including remains of a Coliseum, Roman palaces etc.. The film must have been greatly influenced by the Scott Lynch’s ‘Gentlemen Thieves’ books like The Republic of Thieves or perhaps Game of Thrones  because it’s all about King Arthur growing to be a man by leading a hard-knock life as a petty thief raised by a gaggle of prostitutes in a brothel instead of growing up true blue on a farm as traditional renderings have it.

It’s not good but it is fun if you don’t ask too much of it. And it was all worth it to witness the Queer as Folk re-union between Hunnam and Aiden Gillen: hey honeytits! I found it perfect rainy day Saturday afternoon viewing.

 

José Arroyo

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