Tag Archives: Under Capricorn

José Arroyo in Conversation with David Greven

 

A conversation with David Greven, distinguished Hitchcock scholar, author of Intimate Violence: Hitchcock, Sex and Queer Theory, Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin and many other books (see images below) which took place at the Under Capricorn +70 Conference at King´s College, London. We talk of Hitchcock as a queer filmmaker, how his works undermine gender roles and expectations. We discuss David´s explorations of the intersection of Queer Theory and Hitchcock and what he´s learned by bringing them together. We bring into the discussion recent television work by Ryan Murphy as well as the work of Pedro Almodóvar. We touch on the significance of the re-release of five Hitchcock films in the 80s in the context of gay male representation, as well as on E.M Foster adaptations such as Maurice, Room with A View, Howard´s End and the recent theatrical deployment of some of those structures and tropes in The Inheritance. Finally the conversation refocuses on his work on Under Capricorn, the presentation of which is David´s reason for being in London, putting it in the context of Ingrid Bergman´s ‘trilogy’ with Hitchcock (Spellbound and Notorious are the others). Under Capricorn is enthralling but is it goodP? Finally David offers some recommendations on how to introduce yourself to Hitchcock´s work if you haven´t already done so. If you don´t love Under Capricorn, you don´t love Hitchcock, and if you don´t know how to appreciate Hitchcock, you don´t know how to appreciate cinema. An informal but stimulating and all too brief conversation.

 

José Arroyo

Richard Layne and Nicky Smith on Under Capricorn, Destry Rides Again and the first few days of Cinema Ritrovato 2019

Richard Layne, Nicky Smith and myself in a post-screening discussion of a 1968 print of Under Capricorn screened at Bologna´s Cinema Ritrovato that ranges from the impact of the colour to  the length of the shots, Bergman’s performance, the appeal of Michael Wilding, wether Joseph Cotten´s hair was a wig, the film´s connection to Hitchcock´s earlier Rebecca, and whether the character played by Margaret Leighton is Mrs. Danvers in Australia. The discussion then moves on to some commentary on Destry Rides Again, Jean Gabin, and how there´s no hope for cinema if even a Ritrovato audience is piggy about using their phones during screenings. It was recorded during lunch so there´s quite a bit of background noise which in my view adds ambience without detracting from the conversation itself.

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José Arroyo