Hot on the heels of Baz Luhrmann’s Elvis, which cast the titular rock & roll icon as the victim of a life controlled by his manager, comes Priscilla, written and directed by Sofia Coppola, which tells a similar story of a life controlled – but here, Elvis is the culprit. in 1959, 14-year-old Priscilla Beaulieu meets 24-year-old Elvis during his military service in West Germany; by 1963, she’s moved in with him at Graceland, his famous Memphis estate. But the romantic life she desires is kept from her.

Priscilla is as rich an experience and as rewarding in conversation as we could have hoped for. Coppola intelligently and insightfully weaves together themes of unequal power dynamics, in which pleasure is withheld; the societally-defined roles of men and women and how they harm those who enforce them upon themselves; the significant age difference between Elvis and Priscilla, especially exacerbated by her youth; why and how beauty is constructed; and so much more. Its gaze is a female one, and a particular one at that. It understands the appeal of Elvis to Priscilla, the world in which she becomes involved and the men for whom it’s maintained, and the ways in which it deceives her, restricts her, and leaves her disillusioned. A marvellous, complex film.

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With José Arroyo of First Impressions and Michael Glass of Writing About Film.