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Baz Luhrmann’s Elvis is here: a colourful, expressive telling of the story of Elvis Presley, through the eyes of his manager, Colonel Tom Parker, who opens the film by claiming that he’s not the villain he’s renowned to have been. But the film flattens any complexities in the history it tells so thoroughly that we have no option but to continue to see him as one.
Still, it starts vibrantly and excitingly, understands and loves the sexual allure of Elvis – the lengthy introduction to him leads up to a fabulous scene of crotch-gyration – and Austin Butler is fantastic in the starring role. But once it settles down, is it anything more than a filmed Wikipedia page? Does it offer insight into the story it tells? José will have to tell you, because Mike fell asleep.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.