We wanted to like Bros more. Co-writer and star Billy Eichner jumped at the chance to expand the boundaries of the wide-release Hollywood rom-com to tell the story of a gay romance and give representation to people who are usually marginalised, if included at all, in mainstream comedy, and whose inclusion is often at their expense. It’s a shame, then, that it’s comedically unimaginative and unskilled …. and preachy. A wasted opportunity.
One a great masterpiece of cinema, the other a cultural icon of its day, we compare and contrast Ernst Lubitsch’s The Shop Around the Corner with Nora Ephron’s technologically updated remake, You’ve Got Mail. We discuss how each film treats its conceit of two people who dislike each other unwittingly falling in love over anonymous correspondence, the former film’s couple hating each other less vitriolically, the latter giving us more insight into the details of their messages; the latter making their story the entire focus, the former handling it as the main part of a range of stories that take place amongst its characters.
We consider whether James Stewart’s Alfred and Tom Hanks’s Joe are nice people, and what the films’ endings have to say about them and the women they fall for. José focuses on the films’ approach to class and power, praising The Shop Around the Corner‘s portrayal of working people and decrying You’ve Got Mail for barely even seeming to notice its uncritical acceptance of corporate power. And we consider more besides, including how Lubitsch’s camera makes a static setting evocative and expressive, that Godfather bit, and the similarities and differences in Hanks and Stewart’s often-compared personas.
It’s Valentine’s weekend and we take a romantic trip to The Electric Cinema to see It Happened One Night, Frank Capra’s 1934 romantic comedy that is one of only three films to win all Big Five Oscars (Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay). As usual, Mike hasn’t seen it before, while José’s seen it plenty. Does it hold up?
José talks of its democratic appeal, set largely in the American South during the lowest point of the Great Depression and showing people coming together despite hardship, lack of work and even fainting from hunger. We discuss the development of the relationship between Clark Gable and Claudette Colbert, including the wisdom of sharing a motel room with a man you just met, the propriety depicted (such as forgoing a lucrative reward, instead only claiming your expenses), and of course, the madness of Alan Hale’s singing.
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An utterly charming, friendly rom-com set in and amongst the very wealthiest of the Singaporean elite, Crazy Rich Asians is also full of odd tensions and problematic complexities. In one sense a highly specifically Chinese story of a second-generation American immigrant’s return to Asia and the conflict she experiences in negotiating her way into a world that finds her somewhat unwelcome; on the other a genre comedy that would feel no different were the characters all white. It’s a friction that bubbles under everything, but the film is so light and likeable that it never spoils anything.
We find Michelle Yeoh’s performance as the intimidating mother-in-law a delight, her character completely avoiding the one-dimensional dragon mom stereotype. On the other hand, there are stereotypes in which the film does indulge, though we disagree on how critical we should be of that. Thinking back to Searching, Mike feels that that film’s joy of seeing ethnicity have no bearing at all on anything is not replicated here, as the film’s insistence on themes of separation from one’s background and identity come into conflict with its desire to be no different from any generic white rom-com. Jose doesn’t find this an issue, instead sinking into the diasporic aura of the film. We discuss the film’s occasional TV movie feel, its use of music, its depiction of class through accents, and the way the opening sets up a much darker, more subversive film than we get.
And above all, it’s really, really funny.
Recorded on 16th September 2018