I found it interesting that Dead Reckoning affords Lizabeth Scott a magnificent star entrance that begins with her voice. That gravelly huskyness is what rendered her unique amongst forties femme fatales. Here we hear her before we see her, and before we hear her, she’s already framed for us by Bogart’s troubled thoughts, by his dislike of the big lug calling him a friend. Then we hear her referred to as Mrs. Chandler by the barman, implicitly casting questions about why a married woman is a regular at the bar. We then see her through Bogart’s point-of-view: first the shapely gams, then a close-up on the cigarette, the jewelled evening gown, the neckline plunging into the dark fabric of the dress, then that beautiful face in profile, with cigarette as Bogart lights her up and she gives him that looks that seems a challenge born of a hurt. ‘Cinderella with a husky voice’ is how Bogart describes her to us. ‘Where have we met?’ ‘In another guy’s dreams’. A great star entrance, a great mise-en-scene of noir: darkness, desire and the unconscious beautifully twisted together to set the scene for the drama that will come.
My kingdom for a smoke.
Lizabeth Scott, the beautiful blonde with the gravelly voice that graced so many forties noirs, gives her take on film noir.
From a series of great interviews conducted by Carole Langer in Janet Leigh’s home in 1996. They can be seen in their entirety on you tube here.