Tag Archives: football

Eavesdropping at the Movies: 194 – Permission

This year’s Screening Rights Film Festival saw a great start with Permission, an Iranian film about women’s rights, oppression, and male ego, based on the true story of Niloufar Ardalan, the captain of the Iranian women’s futsal team whose husband barred her from leaving the country to play in an international final. After the film, José led a discussion with Riham Sheble and Dr. Saeed Zeydabadi-Nejad in which the entire audience got involved.

It’s an enormously interesting film and despite its severe subject matter, a lively, enjoyable watch. Baran Kosari is captivating as Afrooz, the captain, fighting as best she can the system that allows her husband, Yaser, to restrict her movement – which is made scarier by his absence for several scenes. The film cannot possibly be mistaken for suggesting that Yaser’s actions can be justified, but gives him space to express his reasons for them, revealing the danger of a bruised male ego, especially one with the support of unjust laws that can be weaponised.

We also discuss Afrooz’s relationship with her teammate and roommate, who stays in Iran with her out of choice, with respect to the ways in which writer-director Soheil Beiraghi uses code and ellipses to circumvent his country’s censors. And Sahar Dolatshahi’s team manager catches our eye, a powerful figure who enjoys her status among the football federation, and whose sanctimonious, matronly attitude reminds Mike of The Handmaid’s Tale‘s Aunt Lydia.

A film we’re very glad to have seen. Thank you to the Screening Rights Film Festival for putting the event together!

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

Eavesdropping at the Movies: 155 – Diego Maradona

Following his critically acclaimed documentaries about Formula One legend Aryton Senna and troubled jazz singer Amy Winehouse, Asif Kapadia turns his inquisitive lens to Diego Maradona, arguably the greatest footballer of all time, and a man who moved rapidly from the slums of Buenos Aires to worldwide fame, winning the World Cup with Argentina and leading declining Italian club Napoli to two league championships. Kapadia’s film beautifully and economically tells his story, making understandable and human the dark side that accompanies the success, including an illegitimate son, his infamous addiction to cocaine, and perhaps less well-known, his association with the Camorra, the Neapolitan crime syndicate.

Mike has never really “got” these kinds of documentaries, and José is more than happy to oblige him with his impressions of what they do, and in particular what this one does so well. It is not just about the man but about the times, places, people and cultures that were the environment of his life. Maradona is rendered deeply human as the film details the grip that not only the Camorra held on him but also his football team, Napoli’s president refusing to sell him at his request, a capitalist demand for the value he holds, and then, when he is used up, this once-idolised, deified icon of Napoli is unceremoniously discarded, left to quietly slink away as his former worshippers turn on him – and all the while, the human cost to Maradona is incalculable, his extraordinary level of fame extraordinarily difficult to cope with, his descent into deeper drug dependence tragic and his punishment for beating Italy at the World Cup brutal. The film draws an important and poetic distinction between Diego and Maradona, as described by Fernando Signorini, his former fitness coach at Napoli: Diego is the youngster from the slum who loves to play, has insecurities and worries, and is, as Signorini says, “a wonderful boy”; Maradona is the star, the mask that cannot show any weakness, and an unpleasant counterpart to Diego – but without Maradona, Diego would still be in those slums. What the world has always seen is Maradona. What Kapadia shows us is Diego, hidden away, a victim of his own success, further and further buried but, nonetheless, always present.

We also talk a little about Amy, Kapadia’s 2015 documentary, which Mike has watched recently as José’s suggestion and truly loathed, finding it as exploitative and demon-feeding as the media frenzy it depicts and decries. José believes that Mike is too moralistic, but Mike disagrees, and that’s where we leave it.

But! Diego Maradona. It’s a truly great documentary, complex and rich, subtle and tragic, beautifully, smoothly edited, and featuring plenty of thrilling footage of one of the greatest footballers of all time doing the things that gave him that reputation. It’s fantastic. Don’t miss it.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.