But what did we make of the rest of it? Has it stayed with us? Does it cohere? What would we have liked to have seen more of, what surprised us, what did it do well, how do we evaluate its representational strategies? No matter what we make of the details, it’s certainly deserving of a second look, and now we can be grateful rather than rueful that Netflix gives us that opportunity.
Also, Mike bangs on for a bit about Ex Machina, Life, Anomalisa, and The Beach.
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José Arroyo and Michael Glass of Writing About Film.