An illustration of Burt Lancaster’s star persona from 1946-1949, as if dreamed by Steve Thompson in Criss Cross: a man back from war and traumatised, desiring and doomed, imprisoned by the past and also because he did something wrong once; physically powerful but none too smart; beaten, manipulated, masochistic, punished, on the run; in a world he can’t understand; delirious and raging.

This is a continuation of my attempts to learn video editing and was a means through which I learned about zooms, blurring and waves. The parameters were that I would use no voice-over, insert clips from all his late forties films (though they only get named, upon their first appearance) and re-anchor periodically to Steve Thompson in the hospital scene from Criss Cross. Some of the transitions are still too rough, and I would have fixed them had I had more time, but cumulatively I think the video presents a vivid picture of Burt Lancaster’s star persona in the late forties and offers a variegated depiction of masculinity in crisis,

José Arroyo