Writer-director Robert Eggers, whose reputation for aesthetically rich, deeply-researched and idiosyncratic horror precedes him, has long been working on a remake of F. W. Murnau’s Nosferatu, the 1922 German Expressionist classic whose influence has been felt in the horror genre for a century. It’s a big fish to try to take down, but it’s source material that feels like it exists especially for him – how does he do?
Very well, as it turns out… although, in classic fashion, we manage to talk around what a fantastic time we had by concentrating on our criticisms. Ignore them until you’ve taken yourself to the biggest cinema you can to see it – it’s an experience you should have. Then come back and listen to us discuss the debt Eggers’ Nosferatu owes to the colour tinting processes of the silent era, how the second half gets bogged down in tropes and plot, the delineation between sex and love, the pressure to be accessible, whether horror needs to be scary, and the important lesson we learned from Shrek Forever After.
Listen on the players below, Apple Podcasts, Audible, Spotify, or YouTube Music.
Listen to our podcast on F. W. Murnau’s original, silent Nosferatu here.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
One reply on “Eavesdropping at the Movies: 435 – Nosferatu (2024)”
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