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Small Axe continues with Lovers Rock, a stunning musical set in a house party in the 1980s. Hit follows hit on the soundtrack, and José in particular is blown away by how Steve McQueen’s camera observes its euphoric subjects, concentrating on specific body parts, taking as much time as it likes to explore the mood, the resulting experience as sensuous as any we can recall. We discuss the cross-national identity the partygoers occupy, the Christian symbolism conspicuously on display, the open-ended narrative structure, and more, but always returning to the bold and brilliant dancefloor sequences. A masterpiece.
With José Arroyo of First Impressions and Michael Glass of Writing About Film.
