Designed entirely to simulate the desktop interface of a Macbook, Unfriended: Dark Web enthusiastically adapts modern fears of surveillance and digital stalking to the horror genre (drawing on the style of 2014’s Unfriended, to which this is a sequel). It’s a stylistic achievement that never once feels unconvincing, even if the route the plot takes is far from unpredictable.
We discuss the way the film hides its most graphic elements and is able to create tension and horror from the very opposite, and the wonderful evocation of distracted attention, with the main character jumping between Skype, Spotify, Facebook and more, that remarkably never becomes overwhelming or incomprehensible. Some of the performances aren’t the best, and we each found the film uninvolving at different points and for different reasons, but generally speaking we enjoyed the film’s experiment and found it interesting.
We also discuss the two producers, each of whose names caught our eyes, and how Dark Web fits in to the current cinema programme.