Lots on Minnelli’s being ‘effeminate’ and on his wearing of eyeshadow in public places but still interestingly inconclusive on his sexual orientation. I find it so interesting how in current discourse anything other than ‘queer’ is kind of looked down upon, and yet there is this desperate insistence on claiming anything slightly effeminate as homosexual, which to me is almost the opposite of the fluidity ‘queer’ is supposed to espouse. I find it intriguing and amusing in equal measure.An enjoyable book that’s illuminating on his life and career; there are better — though not yet enough — books on his films.
José Arroyo
