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‘Look at me, look at me, look at me’

Claude: ‘look at me, look at me, look at me!’

Johanne: ‘I don’t see you, I don’t see you, I don’t see you.’

 

Who hasn’t felt like this at a party? And why does the voice over still seem so inventive so many years after À tout prendre was released (in 1963)?

 

José Arroyo

By NotesonFilm1

Spanish Canadian working in the UK. Former film journalist. Lecturer in Film Studies. Podcast with Michael Glass on cinema at https://eavesdroppingatthemovies.com/ and also a series of conversations with artists and intellectuals on their work at https://josearroyoinconversationwith.com/

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