Watching Rocco And His Brothers in the Piazza Maggiore at the Cinema Ritrovato in Bologna.

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There were all kinds of magical experiences watching films in the Piazza Maggiore in Bologna during the Giornate del Cinema Ritrovato but the one of seeing Rocco e i suoi  fratelli/ Rocco and His Brothers in this particular context – the Piazza Maggiore, with thousands of spectators, a huge screen, a special stand purpose-built for the projector so it can be sufficiently high to have enough ‘throw’ to fill that particularly huge screen – to be able to in this context ‘experience’ this particular story, the story of Italy, the story of leaving home, leaving mi paise, which stands not just for one’s village but for one’s land, one’s country as both an imaginary but also in a phenomenological sense, in which the film itself posited a kind of saudade, that kind of felt love for a people and place one longs for still but which is far away and maybe never was but that is imagined so vividly, and which one’s love for that imaginary is still felt so strongly that it is rendered alive, and the sadness for its loss so vividly juxtaposed with the fullness of the feeling for what once was; a country you feel, experience, touch, sense, and which you carry the memory of like a half-sensed reverie, missing and longing, yearning and loss, all mixed up with a desire for an entwined affect. This story of mid-century Italy is now also the story of so many in a 21st century world; and the problems of the film resonate not only with their specificity but with their universality. It was truly great; and not only the work in itself but also the experience of watching it in this particular context. Doubly great.

José Arroyo

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