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Matt Damon gives arguably a career best performance in Stillwater, as a tightly-wound, reserved, Oklahoma roughneck doing his best to support his daughter, who has been convicted of murder and resides in a Marseille prison. We discuss the film’s origins in the real case of Amanda Knox and Meredith Kercher, consider how well the characterisation works and where it might fail, and work through our fundamental responses to the film: for José, it’s is an unusual and complex critique of American society and culture; for Mike, it’s hard to take seriously, its animus obvious and milquetoast. Wherever you land, though, Stillwater is a deeply engrossing drama and worth seeing.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.