Tag Archives: The Electric

Eavesdropping at the Movies: 135 – Double Indemnity

The film noir to end films noir, Billy Wilder’s classic crime drama Double Indemnity made its way to The Electric in Birmingham for a one-off screening, where a packed cinema ensured a great atmosphere. Mike, as usual, hadn’t seen it, while José is very familiar with it, even having taught it before.

Mike didn’t entirely click with it, though he’s able to appreciate much of what makes it a classic. Perhaps the stylistic and thematic elements that identify film noir are so perfectly employed by Double Indemnity that it leads to an ironic, detached mode of viewing – the genre, though it has existed since its inception, is strongly connected to its classical era of the Forties and Fifties, and has been parodied and pastiched more than most, burdening the film with unfair baggage to audiences not in that frame of mind. José, on the other hand, relishes the chance to see it with a paying, enthusiastic audience, finding that he notices different details and appreciates the film differently outside of an academic setting.

Unquestionable is the strength of Barbara Stanwyck’s seductive performance as the femme fatale, her Phyllis Dietrichson the archetype of the dangerous woman who bewitches her doomed victim, in this case a chump played with distracting self-importance by Fred MacMurray. And every time Edward G. Robinson appears on screen he lights it up, capturing the audience, whether with the array of witty retorts and bon mots with which the script furnishes him, or dialogue as ostensibly dull as a recitation of an actuarial table for types of suicide.

With all of this in mind, Mike is sure that a second run at the film would help him appreciate it more. There’s no doubting its place in cinema history, and that it continues to pack out cinemas with eager filmgoers is testament to that.

The podcast can be listened to in the players above or on iTunes.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

José Arroyo in Conversation with David Baldwin, Film Programmer, Midlands Arts Centre

David-Baldwin-profile-2015

A conversation with David Baldwin, new film programmer of the Midlands Arts Centre Cinema and former programmer of The Electric, with some timely interventions from Michael Glass of Eavesdropping at the Movies.

An illuminating talk not only about David’s hopes for the Midlands Arts Centre cinema program but also about distribution practices in general, about the different factors that need to be weighed in relation to programming, the availability or lack thereof of works in relation to particular venues, new distribution practices and video on demand.
We talk about programming for venues as part of a network of information on film, the brochure, local listings information, the importance of Filmwire and the usefulness of at least a second screen in relation to what can become pragmatically programmable.
We also discuss audiences from different social formations and how to engage and involve them (LGBTQ, East Asian, Polish, Spanish-speaking, differently abled audiences etc.). What do audiences go to the cinema for nowadays and what to entice them with? How important is the projection system and what do introductions to films and discussions after bring to an event? What’s been doing well and what hasn’t and why?

The podcast can be listened to here:

José Arroyo