We continue with our discussion of the MARTIN SCORSESE’S WORLD CINEMA strand on MUBI, this time focusing on Kim Ki-young’s THE HOUSEMAID (South Korea, 1960). MUBI’s take is that it influenced Bong Joon-ho’s PARASITE – clearly evident – and that it ‘changed the course of South Korean cinema forever. An immense success when released in 1960, this striking masterpiece is a blend of sexual obsession and class struggle, horror and social critique’. In the podcast, we agree with most of what MUBI says about it but question the claim that it’s a masterpiece,’ finding the film deeply misogynistic in ways that go even beyond the patriarchal norms of its time and culture. The very handsome version being screened by MUBI is the 2008 restoration by the Korean Film Archive and is a real pleasure to see, making visible the film’s very real inventiveness with light, composition and movement.
The podcast may be listened to below:
The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT
José Arroyo and Richard Layne