Tag Archives: Salut les Cubains

Thinking Aloud About Film: De Cierta Manera/ One Way or Another (Sara Gomez, Cuba, 1974)

Thinking Aloud About Film talks Sara Gomez’ debut feature, DE CIERTA MANERA/ ONE WAY OR ANOTHER, a model of Marxist dialectical filmmaking, mixing fiction and documentary; a dramatic auto-critique of class and race that puts gender at the centre: an extraordinary film, currently on MUBI.


The podcast may be listened to here:

The podcast can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

If you want to see the excerpt from Agnès Varda referenced in the film, it may be seen here:

Benny Moré in Agnès Varda´s Salut les Cubains!

José Arroyo

Benny Moré in Agnès Varda´s Salut les Cubains!

A film composed mainly of photographs edited together to music and a celebratory narration voiced by Michel Piccoli, with Agnès Varda occasionally interpolating  qualifying commentary like pointing out to us how Cuban men possessively drape their hand over the shoulders of their women. The photos were all taken from December 1961 to January 1962, four years after the revolution. They´re very beautiful and cover a wide range of Cuban culture and society: the revolution of course, illustrated with wonderful photographs of Fidel (above left), Raúl, Ché; but also cigar factories, educational campaigns, volunteer drives, ordinary people in museums or dancing in the streets; the cultural figures of the day from Alejo Carpentier to Wilfredo Lam (above centre). We also get to see a marvellous scene of a very young Sara Gomez, here Varda´s assistant, later a celebrated filmmaker in her own right, dancing (above right and also last clip). My favourite of all is the marvellous sequence of the great Beny Moré, el bárbaro del ritmo,  singing ´may only Cuban women caress your face´, wishing you that luck and singing of the joy in his. It´s glorious collage of sights and sounds, rendered even more poignant by Moré dying in between the photos being taken and the film being released. The film is imaginative, playful, intelligent, romantic and hopeful: a feast of sights and sounds created from stills. And doesn’t Varda surround herself with the best people? A real treat, now on MUBI.

Beny Moré

Sara Gomez and ending:

José Arroyo