Tag Archives: Richard Layne

The Youssef Chahine Podcast, No. 1: The Blazing Sunaka Struggle in the Valley/ Sira` Fi al-Wadi (Youssef Chahine, Egypt, 1954)

 

 

José Arroyo and Richard Layne discovered the work of Youssef Chahine at a retrospective of his work at Bologna last year, are thrilled that so many previously difficult-to-see films of his are now available on Netflix, and hope that these podcasts encourage people to watch and discuss the films. This is the first in a series. We hope to cover as many of them as possible, and in chronological order. We hope you join us on this journey

 

In Film Alert 101,Peter Hourigan alerts readers to the Chahine treasure trove on Netflix but writes of Blazing Sun: ´BLAZING SUN  (aka Struggle in the Valley 1954, 116 min) An example of his early work, when he was trapped in commercial Egyptian film production. This is a hoary melodrama – but enormously entertaining, and with brilliant b & w photography. There is also an absolutely ravishingly beautiful young man called Michel Chelhoub in the lead.  Later, he was to find fame in the west as Omar Shariff´.

We agree on the film being enormously entertaining and on the extraordinary photography but I also happen to think it´s a great melodrama and a great film, the struggles of the poor against the wickedness of the rich, about love, life, community, the material aspects of life that  reproduce it, all bound with questions of morality and justice. It´s very moving, extraordinarily beautiful to look at — Chahine is a visual poet — and the moments of awkwardness that often accompany cinemas of poverty seem to me to only add to its power. 

A great opportunity to see these films and we hope the podcast will convince you to take a look,

The Blazing Sun

 

Richard Laine has been able to track another Faten Hamama/ Omar Shariff vehicle, with English sub-titles if not in the best condition, and you can see it here:

‘Cinema Sojourns: Time Tripping Through the World of Film’ has published an article worth reading on Omar Sharif: The Youssef Chahine Years, 1954-1956

Other websites of interest:

www.youssefchahine.us/chahine/bio.htm

https://www.theguardian.com/film/2008/jul/28/youssef.chahine

https://www.criterion.com/current/posts/6468-youssef-chahine-restorations-tour-europe

https://www.latimes.com/archives/la-xpm-2008-jul-28-me-chahine28-story.html

https://mubi.com/notebook/posts/in-the-realm-of-the-senses-the-egyptian-stories-of-youssef-chahine

https://www.egypttoday.com/Article/4/47380/Remembering-the-epitome-of-golden-cinema-Omar-Sharif

https://insidearabia.com/omar-sharif-and-faten-hamama-egypts-legendary-celebrity-couple/

https://martinteller.wordpress.com/2013/10/27/siraa-fil-wadi-struggle-in-the-valley/

https://www.kviff.com/en/programme/film/5228409-the-devil-of-the-desert/

https://www.youtube.com/watch?v=udOs2GN4p80&t=10s

José Arroyo

 

Youssef Chahine’s first film, made when he was student at Victoria College

 

The Girl With the Pistol/La Ragazza Con Pistola (Mario Monicelli, Italy, 1968)

ragazza

I turned everything else off last night to concentrate on Mario Moncelli´s The Girl With the Pistol on TPTV, which has been unavailable in English for yonks. According to Sheldon Hall, it’s never been shown on UK TV until now; and according to Richard Layne, there’s ‘no sign of a home video release either looking at BBFC and a database of pre-cert releases’. The logo at the beginning of the film with ‘the “Paramount Communications” wording dates this to between 1989 and 1995. So presumably a US TV or DVD version’.

paramount communications

I actually liked the sound dubbing, which kept most of the Italian and just translated enough dialogue to enable one to follow the plot. Monica Vitti is the girl who´s been left dishonoured in Sicily and sets out to England to find and kill the man she loved. It´s very funny, great bits of comedy featuring an enormous ponytail at a pub, highlighting the cultural differences between medieval Sicily and Carnaby Street London, and skewering all the macho pretensions. In London, she meets Stanley Baker and Corin Redgrave and by the end, Annunziata becomes an independent woman and gets a different kind of revenge. Monicelli´s film makes everything about Britain in that period seem glamorous and aspirational, and even the extended scene in a gay pub does not descend to cheap laughs or easy condemnation. I love Monicelli. I´d never seen Vitti in a comedy, and she´s a revelation: earthy, beautiful, almost musical in her delivery and her actions, always believable and yet extraordinarily glamorous. It made me want to see all of Monicelli and all of the famous comedies Vitti’s known for in Italy.

Richard Layne informs me that, ‘There’s a nice copy on youtube in the original aspect ratio – TPTV showed it cropped to 4:3. This has the Italian soundtrack although from the bits I’ve looked at the British characters speak a mixture of English and Italian. English subtitles are available.’ That version can be seen below:

 

 

 

 

José Arroyo

Ritrovato re-cap: Quick Millions.

Richard Layne, Nicky Smith, Helen Vincent and I discuss Quick Millions, part of the early sound Fox films programmed at this year´s Ritrovato. We discuss it in relation to other gangster films of the era such as Public Enemy and Scarface, the passage of time montages, the iconography of the suit, Newsies, and the presence of both Spencer Tracy and George Raft, who makes quite an impression dancing. As we wrap up, Bertrand Tavernier walks past.

The film is on youtube and can be seen below: the difference in image and sound quality between this and what we saw in Bologna is reason enough to go to Ritrovato. George Raft´s dance can also be seen below just under the film itself,

 

José Arroyo