Tag Archives: Q-Film Weekender

Song Lang (Leon Le, Vietnam, 2018)

A melodrama, subtly told, about a love that becomes impossible, with a resolution in which the audience knows more than the characters.

Screenshot 2019-11-07 at 12.41.09.png

The film is set in 80s Ho Chi Minh. Dung (Lien Binh Phat) is a ruthless enforcer for a debt collector. He meets Linh Phung (Isaac), the star of a Cai Luang opera, when he threatens to burn their costumes if they don´t pay up. They meet again when Linh Phung gets bullied in a bar and they both end up fighting the thugs. Linh Phung´s keys get lost and he ends up spending the night with Dung, playing video games, telling each other the story of their lives, and articulating a shared passion for music, and particularly Cai Luang, a type of popular opera that turns out to be a key to the past of both.

Song Lang, the title of the film, ostensibly refers to the percussion instrument used in Cai Luang. The percussion is supposed to guide the opera and its protagonists down a moral path in life. Ostensibly Song Lang translates literally into ´Two Men´. So here we have two characters, both played by local pop star phenomena, trying to find a moral path through a traumatic history, a shared love of art, the pursuit and abandonment of artistic purpose and drive, and the unfolding of elective affinities, a friendship of the heart, that is also imbued with incipient desire.

Screenshot 2019-11-07 at 12.46.55.png

The feelings of the characters are expressed through opera (Cai Luang), very beautiful, full of feeling, expressing what the characters can´t. I love the showbiz milieu, the campiness of it, and it combines well with the harshness of the life depicted. The most striking thing about this film is the imagery, every composition is interesting, evocative, expressive. Both itself and also conveying mood, feeling. I was very moved by it. I like the way it melds flashback, comic books, video games, all to evoke a way of life, background, texture, the way that the characters are fleshed out, given histories. The two protagonists are meant for each other but can´t be. And one will never know how close it came to being, or what the other one really felt and did. A beautiful melodrama which brings to mind in different ways the best work of Wong Kar Wai and Richard Linklater.Screenshot 2019-11-07 at 10.29.21.png

LGBTQ audiences may have reservations about the end but I think the melodrama recquires it and I personally loved it. Moreover, Song Lang is a great film,  one that will last, though you probably won´t get many opportunities to be seen on a big screen. See it while you can.

Playing as part of the Q-Film Weekender at the Northampton Playhouse

José Arroyo

Madame (Stephane Riethauser)


Madame is Caroline, a ninety-year old self-made woman who´s countered and overcome sexism all her life with wit and with humour. Her grandson Stéphane is now victim of  homophobia. when he tries to overcome that which he´s internalised, he finds his grandmother externalising it for and onto him.  The sufferings of grandmother and grandson both stem from sexism. But as the film unfolds and he comes to accept his homosexuality, she becomes part of the problem. Will their love overcome his insistence on being himself?

A beautiful documentary. A love letter from a gay grandson to his grandmother, and to my knowledge, unique in covering this thematic. It´s beautifully structured and narrated, with a poetic voice-over that gets at the heart of the sexism in society, founded on homophobia, and so encompassing that it makes Stéphane turn against himself and against nature. That it´s so beautifully conveyed is extraordinary. The filmmaker is lucky in having so much audio-visual material, covering his whole life, to draw upon. But it takes artistry to give it such poetic shape, to make the strong and pointed political implications seem so simple and to give the impression that they unfurl so naturally.

Madame and her grandson are both very charismatic, which helps. If the film had nothing else, that alone would make it watchable. But there is so much more: the narration, the structure, the editing, the choice of music, the gentle and insistent attempts to understand oneself and each other. Very beautiful.

Playing as part of the Q-Film Weekender at the Northampton Playhouse

José Arroyo