Tag Archives: New Taiwanese Cinema

Thinking Aloud About Film: Out Of The Blue ((Chen Kun-Hou, Taiwan, 1983)

February 12, 2024UncategorizedChen Kunhou, Chu T'ien-hsin, Chu T'ien-wen, Growing Pains, He Never Give UP, Hou Hsiao-hsien, Lee Hsing, New Taiwanese Cinema, The Boys from Gengkuei, The Green Green Grass of HomeNotesonFilm1

We continue our discussion of the GOLDEN DECADES: CINEMATIC MASTERS OF THE GOLDEN HORSE AWARDS with a chat on OUT OF THE BLUE (Chen Kun-hou, Taiwan, 1983).

OUT OF THE BLUE is a fascinating film to discuss in relation to all our previous podcasts on Taiwanese Cinema and Hou Hsiao-hsien; a film directed by Chen Kun-hou, the cinematographer on Hou Hsiao-hsien’s early films such as THE GREEN, GREEN GRASS OF HOME (1982) and THE BOYS FROM FENGKUEI (1983). Chen Kun-hou is also the cinematographer on HE NEVER GIVES UP (LEE HSING, 1978), and of course Hou Hsia-hsien was the co-writer on Chen Kun-hou’s GROWING UP (1983) and this one. These films also share writer, Chu T’ien-wen (the screenwriter) who went on to co-write most of Hou Hsia-hsien’s films, this one based on a novel by Chu T’ien-wen’s sister, Chu T’ien-hsin.

Collectively, work that evokes an outpouring of creativity but as part of a circle of collaborators. And this particular film seems a turning point from the ‘Healthy Realist’ cinema that was and the comedies and musicals that followed; to what would become known as New Taiwanese Cinema. A key film, released just after BOYS FROM FENGKUEI; A film that takes its time, the camera lingers, yet never feels long, a story gently told about young love in trouble, filial duty, ties to family, small transgressions. Aspects bring to mind BEFORE SUNRISE (Richard Linklater, 1995)

Arguably, one can’t understand New Taiwanese Cinema well without having a context; and this series is a shortcut to that context, the virtue is that it’s preselected, the films that that national industry thought the best; and within THAT, OUT OF THE BLUE is arguably the key film of that transition.

The podcast may be listened to below:

he podcast may also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

José Arroyo

Peony Birds (Huang Yu-Shan, 1990)

November 2, 2021UncategorizedHuang Yu-shan, New Taiwanese Cinema, Peony Birds, Taiwan Film Festival, Women FilmmakersNotesonFilm1

A discussion of Peony Birds, part of a strand of films by women directors or films focussing on women that is a most welcome additions to the Taiwan Film Festival in Edinburgh. It is also a slight historical corrective to what may be seen as the ‘all-boys’ account of New Taiwanese Cinema from the 1980s and 1990s. In the podcast we discuss, how Peony Birds an inter-generational film focussing on mother-daughter relationships that deal with themes of love, money, class as well as differing perspectives on similar actions. Richard and José are divided on the film itself, with Richard perhaps more persuasive on the film’s virtues.

The podcast my also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

Hayley Scanlon has written a very interesting piece

The trailer for the film can be seen here:

Interview with Curator Kuan-ping Liu on Taiwan Film Festival Edinburgh 2021

October 23, 2021Uncategorized8mm, Archival Films, documentary, Films Directed by Women, Hokkien Language Cinema, Kuan-ping Liu, New Taiwanese Cinema, Taiwan Film Fetival Edinburgh 2021NotesonFilm1

The Taiwan Film Festival Edinburgh 2021 runs from 25-31st October. It has live screenings in theatres but it also has a digital component which is free and accessible to all. We interview curator Kuan-ping Liu to discuss the highlights of this year’s programme: Archival Films, 8mm home movies, characteristic examples of New Taiwanese Cinema, classic Hokkien-language cinema from the 1960s and a strand of films directed by women.

The podcast may be listened to below:

The podcast my also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

The full program can be accessed here

José Arroyo

Hou Hsiao-hsien 25: Contexts 15 – Growing Up (Chen Kunhou, 1983)

August 30, 2021UncategorizedChen Kunhou, Growing Up, Hou Hsiao-hsien, New Taiwanese CinemaNotesonFilm1

We discuss this absorbing and extremely likeable film in the context of New Taiwanese Cinema. Chen Kunhou was then Hou’s regular cinematographer. This feels , to an extent, like a transition between the style of the earlier Hou films and the later ones. Hou Hsiao-hsien collaborated on the screenplay and we compare this to Hou’s earlier films (and find it lacking). There’s a sense that that this is a first try for ideas that were better developed in Boys from Fengkuei & Time to Live and a Time to Die.

There are spoilers in the podcast. The film is a maternal melodrama, where the mother’s point of view is sidelined in favour of the son’s, the husband’s, the society, a childhood schoolmate of the son. We find fault with the screenplay, the structure and the visual story-telling. What in Hou feel like ellipses that afford depth, here come across as unbelievable plot holes or plot twists. We are nonetheless very charmed by it and highly recommend.

The podcast my also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

An example of the clumsy visual story-telling we refer to may be found below:

José Arroyo

Hou Hsiao-hsien 21: A City of Sadness (1989)

July 23, 2021UncategorizedA City of Sadness, Edward Yang, Hou Hsiao-hsien, New Taiwanese Cinema, Tony LeungNotesonFilm1

After all our contextualising, we return to Hou Hsiao-hsien films proper, focussing on the masterpiece that is a City of Sadness. We are able now to discuss not only what the film feels like to watch or what it is about in formal terms but can now add various kinds of contexts: historical, political, social, aesthetic, industrial, and even how our own personal histories find echo in the film and how those echoes add a layer of insight and understanding into the film and perhaps also into ourselves. It makes for a rich but still — as is proper with all great works — initial and tentative discussion.

The podcast above can also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

The following clips are discussed in the podcast:

Framing of shots and movement within frame

The movement over the mountain at the beginning

Different planes of action

Muteness as metaphor:

photographing the end:

Inter-titles:

Perfect camera placement:

José Arroyo

First Impressions

Notes on Films and Culture

Tag Archives: New Taiwanese Cinema

Thinking Aloud About Film: Out Of The Blue ((Chen Kun-Hou, Taiwan, 1983)

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Peony Birds (Huang Yu-Shan, 1990)

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Interview with Curator Kuan-ping Liu on Taiwan Film Festival Edinburgh 2021

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Hou Hsiao-hsien 25: Contexts 15 – Growing Up (Chen Kunhou, 1983)

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Hou Hsiao-hsien 21: A City of Sadness (1989)

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