Tag Archives: Moses

Burt: an actor who uses his hands


Following up from the Russel Harty clip from yesterday, I was particularly fascinated by this moment, where Burt describes the corps de ballet in Moses, which I’ve giffed above. He seems to get caught up, enthused, by describing what the actors do, his eyes guiding you upwards whilst describing the excellence of their accomplishment. And, of course, one can’t help but notice how he uses his hands, something Visconti criticised him for; but also such an important  part of his star persona and his performance style; and still an important characteristic way after his work for Visconti, as one can see in Liliana Cavani’s La Pelle (1981) below:


I’ve excerpted in the Italian version because I’d just like you to look at the actors and how they use their hands rather than be side-tracked by what’s going on. Two great actors and two great stars, one exuberantly underlining with his hands, the other not.

José Arroyo

Burt Lancaster on the Russel Harty Show

An excerpt from Burt Lancaster’s appearance on the Russell Harty Show to promote Executive Action, the forthcoming Moses mini-series, and where he also talks about his forthcoming shoot for Visconti’s Conversation Piece: over-sixty and still swooney, with his Nu Yok accent and his bird’s nest hair, clearly still his own, full of charm, and still energetically alive, politically and intellectually,  to current events. A find.


José Arroyo