Half a century since its 1972 release, Bob Fosse’s Cabaret remains startlingly sexy, funny and politically unsettling. We admire Liza Minnelli’s extraordinary star-making performance, the film’s distinctive choreography and cinematography, and how the Kit Kat Klub, and the numbers performed within, chart the rise of the Nazis in 1930s Berlin. We also consider its unusually liberated treatment of sexuality, and how its rejection of rigid binaries and hierarchies offers a counterpoint to the certainties of fascism.

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With José Arroyo of First Impressions and Michael Glass of Writing About Film.