Tag Archives: Lee Hsing

Thinking Aloud About Film: Out Of The Blue ((Chen Kun-Hou, Taiwan, 1983)

We continue our discussion of the GOLDEN DECADES: CINEMATIC MASTERS OF THE GOLDEN HORSE AWARDS with a chat on OUT OF THE BLUE (Chen Kun-hou, Taiwan, 1983).

OUT OF THE BLUE is a  fascinating film to discuss in relation to all our previous podcasts on Taiwanese Cinema and Hou Hsiao-hsien; a film directed by Chen Kun-hou, the cinematographer on Hou Hsiao-hsien’s early films such as THE GREEN, GREEN GRASS OF HOME (1982) and THE BOYS FROM FENGKUEI (1983). Chen Kun-hou is also the cinematographer on HE NEVER GIVES UP (LEE HSING, 1978), and of course Hou Hsia-hsien was the co-writer on Chen Kun-hou’s GROWING UP (1983) and this one. These films also share writer, Chu T’ien-wen (the screenwriter) who went on to co-write most of Hou Hsia-hsien’s films, this one based on a novel by Chu T’ien-wen’s sister, Chu T’ien-hsin.

Collectively, work that evokes an outpouring of creativity but as part of a circle of collaborators. And this particular film seems a turning point from the ‘Healthy Realist’ cinema that was and the comedies and musicals that followed; to what would become known as New Taiwanese Cinema. A key film, released just after BOYS FROM FENGKUEI; A film that takes its time, the camera lingers, yet never feels long, a story gently told about young love in trouble, filial duty, ties to family, small transgressions. Aspects bring to mind BEFORE SUNRISE (Richard Linklater, 1995)

Arguably, one can’t understand New Taiwanese Cinema well without having a context; and this series is a shortcut to that context, the virtue is that it’s preselected, the films that that national industry thought the best; and within THAT, OUT OF THE BLUE is arguably the key film of that transition.

The podcast may be listened to below:

 

he podcast may  also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

José Arroyo

Thinking Aloud About Film: He Never Gives Up (Li Hsing, Taiwan, 1978)

We continue our discussion of the GOLDEN DECADES: CINEMATIC MASTERS OF THE GOLDEN HORSE AWARDS with a chat on He Never Gives Up (LI Hsing, Taiwan, 1979). Li won the Golden Horse Award for Best Director for his films Beautiful Duckling (1965), Execution in Autumn (1972), and He Never Gives Up (1978) setting a record in Taiwan’s film history that remains unbroken, marking the pinnacle of Li Hsing’s directing career. It’s also part of a run — Good Morning Taipei (1979) and The Story of A Small Town (1980) – of very successful films.  This is our opportunity, a mixed blessing, to see a ‘Healthy Realist’ film, ‘uplifting’, and we now clearly see why the New Wave — so clearly a response to ‘Healthy Realism’ — made such an impact. The film is based on a real story,  published as A Raft in the Storm, that dealt with a child overcoming disability.

This is what we’ve been able to find out about A Raft in the Storm:

the first screenshot  above is from Diaspora Literature and Visual Culture: Asia in Flight by Sheng-mei Ma and also the link to the second screenshot is (https://www.kkday.com/en/tour/932)

In the podcast below, we discuss the film in relation to its script, healthy realism, ideology, hope, disability, and the film’s trade in platitudes. Richard is the voice of reason; I despised many aspects of it.

The podcast may  also be listened to on Spotify here: https://open.spotify.com/show/2zWZ7Egdy6xPCwHPHlOOaT

and on itunes here: https://podcasts.apple.com/gb/podcast/first-impressions-thinking-aloud-about-film/id1548559546

José Arroyo