Laura Dern

Certain Women (Kelly Reichardt, USA, 2017)

Posted on Updated on

MV5BMjIyOTY0MjcxMV5BMl5BanBnXkFtZTgwODgxMTE5OTE@._V1_SY1000_CR0,0,674,1000_AL_

I want to write on this great film in the greater length it deserves. But for now, in the absence of time and to encourage as many people as possible to see it: Kelly Reichardt is the great poet of contemporary American cinema. The West, the poor, marginalised or oppressed; a loneliness and ache lived against wonders of nature are some of her themes. Here, three interlinked stories of four women in Montana, framed through windows, or from outside the windshields of their cars, always near but always separated by something, at a distance, some trying to help, some trying to cheat, some oblivious to the passions they incite; all doing their best in difficult and often lonely circumstances. From the beginning, when you see Laura Dern framed in a circular mirror on the edge of the frame whilst the back of her adulterous lover occupies a larger portion of the rest, their looking at each other fractured for us through peeks at mirrors, the compositions are superbly expressive.  Certain Women is so beautiful, visually and narratively, and the actors so superb: it will be a long time before I forget the image of Lily Gladstone’s beautiful face, stars in her eyes as she gazes longingly at Kristen Stewart. What a great film.

 

José Arroyo

The Fault in Our Stars (Josh Boone, USA, 2014)

Posted on Updated on

The Fault in Our Stars
The Fault in Our Stars is not as retchingly bad as I expected it to be. Beautiful young people do die of cancer of course; and not before they LOVE and suffer tremblingly to an exquisite soundtrack full of the very saddest songs. However, Wilhelm Defoe appears as the emotionally closed-off, selfish artist who listens to Swedish rap and represents everything that’s horrible, which is to to go such lengths to avoid pain that one ends up not feeling at all. He hasn’t quite lost his Green Goblin attitude and is great fun to watch. Shailene Woodley is brave yet vulnerable, all through a constant trickle of tears. Luckily she also manages to be spiky enough to avoid being cloying; it’s a difficult part and she’s wonderful in it. Laura Dern and Sam Trammell are perfect parents and thus annoying but much less so than they could have been. My eyes did well up a little and I did find it manipulative but that’s what goes to one of these movies for – to cry; which is not to say that the filmmakers couldn’t have earned those tears more honestly and more imaginatively. What I liked best was the witty visualizing and pacing of the text and e-mail messages – a delight. As for the rest … Seeing it as a treatise on the true meaning of life will result in inevitable disappointment. However, as emotion porn for the stony-hearted, it offers its share of interest and pleasures. Going to see this type of movie does require a ‘love-means-never-to-have-to-say-you’re-sorry’ attitude. I didn’t love it. But I’m not sorry I saw it either.

José Arroyo