Tag Archives: John Lithgow

Eavesdropping at the Movies: 434 – Conclave

You wait for ages for a film about a group of people sequestered in a room, questioning each other, keeping secrets, and repeatedly voting, and two come along at once. But while Juror #2‘s protagonist wrestled with his conscience, Conclave‘s Cardinal Lawrence, played by Ralph Fiennes, has little trouble consistently acting out of principle – sadly, many of his colleagues vying for the Catholic Church’s vacant papacy don’t share his clarity.

Conclave is a marvellously entertaining mystery and thriller, a chamber play in which Fiennes’ performance is a complex and deeply felt standout amongst a number of engaging, if less rich, star turns from Stanley Tucci, John Lithgow and Isabella Rossellini. We discuss whether the film is an advert for the Church, how it engages with religion, the striking visual design, liberalism vs. conservatism, representations of gender and nationality… and that magnificent twist. Spoilers within!

Listen on the players below, Apple PodcastsAudibleSpotify, or YouTube Music.

With José Arroyo of First Impressions and Michael Glass of Writing About Film.

 

The skill evident in a moment of Brian De Palma’s Blow Out

FI saw  Blow Out again this week, and what I noticed was the skill evident in even the relatively ‘minor’ shots. This is a visual illustration of an instance (It might have been quicker to read and more precise had I written it. But it was quicker to do this way and hopefully the point will be more vividly and accurately illustrated):

José Arroyo

The Accountant (Gavin O’Connor, USA, 2016)

the acountant

Caught up on The Accountant, which I missed at the cinema and found great fun though not quite good. There’s something slightly sordid and underhanded about tying the support of people with autism to wanton destruction. Ben Affleck is very good as the accountant/killer who can’t express any emotion; one only gets to know how he feels about people by seeing whether he helps them pay less tax or shooting them some bullets, usually two, one in the head to make sure they’re properly offed. Jon Berthal is Afflec’s opposite: expressive, graceful in movement, sexy.  Just as deadly, a lot more expressive with it. I wonder if his performance here led to The Punisher? Anna Kendrick, J.K Simmons and John Lithgow are also in it, the latter excellent as a vainglorious philanthropist billionaire who gets the finale he deserves.

José Arroyo